Review

 

Zen and the art of design

Elizabeth Resnick

Oullim, the keyword of the Icograda Millennium Congress, is a Korean word meaning “great harmony”…
 

Sharp thinking takes the prize

Robin Kinross

The latest Charles Nypels Prize for typography was awarded last November to Erik van Blokland…
 
Relax and you’ll be swept away

Relax and you’ll be swept away

Liz Farrelly

Where to start with a book like The Floating World: Ukiyo-e? There is a tendency…
 
Transforming data into human stories

Transforming data into human stories

Erik Spiekermann

Modern pictograms, icons, scientific illustrations and graphic user interfaces owe a lot to the work…
 

Looking closer than before

Elizabeth Resnick

‘Looking Closer’ targets the increasing number of designers, design educators and students who are thinking…
 

Back to our roots

The theme of the 51st ATypI conference, ‘Hands On’, provided an opportunity to look for…
 

Hands-on design and digital angst at the AIGA

John L. Walters, the editor

In past years the biennial conference of the American Institute of Graphic Arts (AIGA) has…
 

Design as a matter of life and death

Steven Heller

When I was at Valley Forge Military Academy during the mid-1960s my second favourite subject (after…
 

History is made of the typical

Jeremy Aynsley

Faced no doubt by a plethora of daunting decisions – who to include, which countries…
 

The designer as programmer

Richard Hollis

‘Swiss’ is still a style. In the crudest terms, the style was, and is, Helvetica…
 
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