Review

 

Could this be the death of the dot?

Simon Esterson

How can you make a picture look its best on the printed page? In recent…
 

Type paintings of a digital artist

Phil Baines

‘For the past five years, Neville Brody and his studio have embraced the computer as…
 

Font pirates and price-cutters

András Benedek

‘The typeface market is entering its most challenging phase … there will be blood on…
 

All we lack now are the clients

Margo Rouard-Snowman

Set up in 1966, the Warsaw International Poster Biennale was the first major international showcase…
 
A world of shape and flat colour

A world of shape and flat colour

Paul Rennie

The recent exhibition of Tom Eckersley’s posters was the most comprehensive retrospective of his contribution…
 

Lift and Separate

Eye editors

Before she left her position as curator of the Herb Lubalin Study Center, New York…
 

Letterwork

Eye editors

Latest addition to the swelling library of typography titles is Letterwork: Creative Letterforms in Graphic…
 

Russian Avant-Garde Books

Eye editors

For anyone interested in the history of the book, Russian Avant-Garde Books 1917-34 by Susan…
 

How they lost the paper war

Julia Thrift

When Mary Blake, the paper expert at Greenpeace’s London office, stood up to ask a question…
 

Talking about my font generation

Jonathan Barnbrook

My first experience of drawing letterforms on the computer was with an early version of Altsys…
 
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