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Jacqueline Casey. Science and design
/feature/article/jacqueline-casey-science-and-design
Jacqueline Casey was instrumental in developing what became known as the MIT Style. By Elizabeth Resnick
Freedom in the graphic galaxy
/opinion/article/freedom-in-the-graphic-galaxy
Minimalism. Maximalism. Chaos. Software advances plus a reconciliation of two strains of Modernism may finally lead us towards a new screen aesthetic
Meanwhile, in the weird world of art
/opinion/article/meanwhile-in-the-weird-world-of-art
When musicians remake an old hit, it’s called a cover version. When a painter copies an illustrator it’s called fine art
Blank Generation
/opinion/article/blank-generation-38
The glossy enigma of digital supergirls. Critique by Rick Poynor
White space, silent thoughts
/opinion/article/white-space-silent-thoughts
Visual data is often all we need: sound can divert the mind from interpretation, from completing the gesture. By Jessica Helfand
You are under our control
/opinion/article/you-are-under-our-control
Design, technology and psychology conspire to find new ways of teasing and fraying the passive viewer’s nerves
The end of the line
/opinion/article/the-end-of-the-line
By favouring drawing over communication in the selection of students, graphic design education is missing the point
Not waving but dancing
/opinion/article/not-waving-but-dancing
British graphic design, like art, pop and fashion, is on a high. But does it know where it is going – or why?
Geometry is never wrong
/opinion/article/geometry-is-never-wrong
The ‘exact beauty’ of De Stijl could provide cyberspace with a new set of design co-ordinates.