Critique

 

Critique (established 1999) is the regular Eye column by Rick Poynor.

 
The future is ours to see

The future is ours to see

Rick Poynor

SpaceCollective’s innovative website, at once lucid and intoxicating, adds substance to techno-hippie optimism. Critique by Rick Poynor
 
Mining the graphic mother-lode

Mining the graphic mother-lode

Rick Poynor

Rochester Institute of Technology opens its American design archive to the online world. Critique by Rick Poynor
 
All mouth and trousers?

All mouth and trousers?

Rick Poynor

Challenged to design a poster celebrating London, British designers show mostly how little they care for the form. Critique by Rick Poynor
 
Clever chameleon

Clever chameleon

Rick Poynor

Rick Poynor examines Mono-Kultur, a smart and ‘exquisitely scaled’ independent publication. Critique by Rick Poynor
 
Framing the evidence of war

Framing the evidence of war

Rick Poynor

By incorporating reportage of Russia’s Afghan war, this hybrid takes the graphic novel and photojournalism to new levels. Critique by Rick Poynor
 
The pleasures of browsing

The pleasures of browsing

Rick Poynor

Rick Poynor plays ‘hotel inspector’ to find a bookshop that understands its books and readers: Sydney’s Published Art. Critique by Rick Poynor
 
Bad timing

Bad timing

Rick Poynor

In a new Obama-led world order, Omega’s lust for luxury seems as misplaced as a licence to kill. Critique by Rick Poynor
 
The canon, aimed at your back

The canon, aimed at your back

Rick Poynor

GenPrag’s T-shirts celebrate the most emblematic of twentieth-century graphic design heroes. So let’s have one for Will Burtin. Critique by Rick Poynor
 
In passing: Obit

In passing: Obit

Rick Poynor

This American blog-mag reminds us that obituaries are about lives lived. Critique by Rick Poynor
 
Riches and embarrassment

Riches and embarrassment

Rick Poynor

A book of Swiss competition winners makes a virtue of its cold and awkward design. Yet if the jury seeks debate, as it claims, it must be prepared to explain its decisions. Critique by Rick Poynor
 
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