Feature: Graphic design

 
Jump cuts

Jump cuts

Motion design is everywhere. The gleaming screens of our phones, TVs and poster sites demand more and more ways to make words and pictures dance in space and time. By John L. Walters [EXTRACT]
 
Anette Lenz: Poetic rhetoric in the public realm

Anette Lenz: Poetic rhetoric in the public realm

Over nearly three decades, Anette Lenz has made work that transcends trends and technology. Profile by Jan Middendorp
 
Ten projects by Jim Sutherland

Ten projects by Jim Sutherland

A graphic designer downsizes to spend more time thinking, studying and designing without commercial studio pressures. What could possibly go right? By Simon Esterson. Portrait by Philip Sayer
 
Crowd control

Crowd control

Designers are making illustrated books through crowdfunding instead of traditional publishing methods. By John L. Walters
 
Jacqueline Casey. Science and design

Jacqueline Casey. Science and design

Jacqueline Casey was instrumental in developing what became known as the MIT Style. By Elizabeth Resnick
 
My friend David King

My friend David King

The book David King: Designer, Activist, Visual Historian is a comprehensive account of the work of a unique figure in graphic design history. Here Richard Hollis, witness to King’s development as designer, artist, collector and pioneering author-designer of dazzling books of social and political history, recalls his friend and fellow designer. By Richard Hollis
 
A niche of a niche

A niche of a niche

CentreCentre is the imprint founded by British designer Patrick Fry
 
Mark Holt: Games, set and dispatch

Mark Holt: Games, set and dispatch

The title page credit for Munich ’72: The Visual Output of Otl Aicher’s Dept XI reads ‘Researched, written, edited, designed and published by Mark Holt.’ Interview by John L. Walters
 
Eye’s early years

Eye’s early years

Founding editor Rick Poynor recalls the aims and ideas behind the launch of an independent design magazine
 
Evi O. Studio: Feast between the lines

Evi O. Studio: Feast between the lines

This Sydney-based studio brings high-energy illustration and lettering to editorial design for food [EXTRACT]
 
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