Feature: Typography

 
Anette Lenz: Poetic rhetoric in the public realm

Anette Lenz: Poetic rhetoric in the public realm

Over nearly three decades, Anette Lenz has made work that transcends trends and technology. Profile by Jan Middendorp
 
Ten projects by Jim Sutherland

Ten projects by Jim Sutherland

A graphic designer downsizes to spend more time thinking, studying and designing without commercial studio pressures. What could possibly go right? By Simon Esterson. Portrait by Philip Sayer
 
Jacqueline Casey. Science and design

Jacqueline Casey. Science and design

Jacqueline Casey was instrumental in developing what became known as the MIT Style. By Elizabeth Resnick
 
My friend David King

My friend David King

The book David King: Designer, Activist, Visual Historian is a comprehensive account of the work of a unique figure in graphic design history. Here Richard Hollis, witness to King’s development as designer, artist, collector and pioneering author-designer of dazzling books of social and political history, recalls his friend and fellow designer. By Richard Hollis
 
Eye’s early years

Eye’s early years

Founding editor Rick Poynor recalls the aims and ideas behind the launch of an independent design magazine
 
Space Type Generator

Space Type Generator

Kiel Mutschelknaus’s constantly evolving Space Type Generator has the power to hypnotise
 
Evi O. Studio: Feast between the lines

Evi O. Studio: Feast between the lines

This Sydney-based studio brings high-energy illustration and lettering to editorial design for food [EXTRACT]
 
Letterform Archive: Objects of Inspiration

Letterform Archive: Objects of Inspiration

Letterform Archive is feeding the post-digital generation’s passion for physical artefacts
 
Chloe Scheffe: Rethinking editorial design

Chloe Scheffe: Rethinking editorial design

Brooklyn-based Chloe Scheffe designs books by groundbreaking thinkers and tackles magazines with a similarly radical approach
 
Dafi Kühne: By his own hand

Dafi Kühne: By his own hand

Swiss designer Dafi Kühne works wholly in traditional letterpress techniques with entirely contemporary results
 
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