Review: Reviews

Parr’s ambivalent obsessions

‘Parrworld’, the title of Martin Parr’s latest exhibition, is a bold if not presumptuous declaration…
Concrete evidence

Concrete evidence

It is not unusual for the work of artists and designers to make the transition…

Toys are us

Not a Toy, a boundary-busting book of art and fashion, is edited by Vassilis Zidianakis…

One step nearer full-screen video

Apple insists that full-screen, full-motion playback can be achieved on regular Macintosh equipment without additional hardware. This claim has some significant caveats.

Not so quick on the QuickDraw

Some five years ago, Apple announced its intention to update its graphics imaging software QuickDraw…

Print’s not dead: it just smells funny

Kristina Nickel’s ‘handbook for media designers’ comes shrink-wrapped with a glowing quote from Erik Spiekermann…

Type: Science and conscience

The debate of style over content is clearly not a new one in book publishing. In…
Cage recast as eye candy

Cage recast as eye candy

American composer John Cage was a prankster, a gameshow champion and a creator of graphic…
He put his stamp on Dutch culture

He put his stamp on Dutch culture

R. D. E. ‘Ootje’ Oxenaar (b. 1929) was a key figure in the modernisation of…
Art without its bitter history

Art without its bitter history

I have a problem with Stalin’s face. He looked exactly like my cat. Exactly. This…
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