Review

 

Soft-edged memoir

Simon Esterson

Duncan Fallowell’s ‘memoir for misfits’ How to disappear (Ditto Press, £14.99) is possibly as interesting…
 

Picture hunter gatherers

Liz Farrelly

The modern malaise is to over-complicate. In her chatty foreword to The Graphic Eye, Natalia…
 

Modernism and me: a survivor’s tale

Steven Heller

On reading the first few pages of Natalia Ilyin’s Chasing the Perfect: Thoughts on Modernist…
 

Streetwise and interactive

Gary Phillips

Ever thought about the street where you live in terms of the different smells it…
 

A serious book, brilliant with experience and discretion

Jo Guldi

Maud Lavin has written a book for designers who wonder what became of the revolutionaries…
 

Pieced together

Sue Steward

Curating this exhibition of 150 paper-and-glue works, some more than 80 years old, was a…
 
Manual transmissions

Manual transmissions

Simon Esterson

Will Burtin was one of the pioneers of twentieth-century American graphic design, but he strode…
 

Taking a scalpel to the warmongers

Tony Credland

For the politically engaged, Peter Kennard’s photomontages have always been an inspiration. Not only are…
 

Agents of change convene in Berlin

Michèle-Anne Dauppe

With an attendance figure approaching 900, Fuse ’95 was certainly a popular event. Typographic conferences…
 
Networks map a complex world

Networks map a complex world

J.J. Boehnert

VisualComplexity.com, founded by Manuel Lima in 2005, is a repository of experimental visual mapping of…
 
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