Feature: Design history

 
Lovable loser

Lovable loser

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
 
Radical platform

Radical platform

From its early grassroots days, Spare Rib provided a groundbreaking public arena for women’s issues, opinions and feelings that had previously been sidelined
 
We Made This: Technical challenge

We Made This: Technical challenge

Sarah Snaith talks to Briar Levit, director of a new film on the history of graphic design
 
A house that type built

A house that type built

Type foundry House Industries – the subject of a hefty new monograph and a retrospective exhibition near Detroit – champions the joyful vulgarity of United States graphic arts. Jason Godfrey and Dan Adams pay tribute
 
Expressive geometry

Expressive geometry

Kabel, Rudolf Koch’s eccentric, geometric 1920s typeface, has been revived as a 21st century type family by Marc Schütz. By Madeleine Morley, with extracts from Gerald Cinamon’s book about Koch
 
Take my concept

Take my concept

Boris Bućan’s early posters display an audacity that challenges divisions between graphic design and fine art
 
Stamped in the memory

Stamped in the memory

The Gentle Author’s book about East London print and envelope specialists the Baddeley Brothers demonstrates the very crafts it celebrates
 
James Mosley: A life in objects

James Mosley: A life in objects

Through his ideas, collecting and dogged research, the former St Bride librarian has shown that printing history can be both lively and opinionated. The world of typography owes him a great debt
 
The first couple of American billboards

The first couple of American billboards

Otis and Dorothy Shepard, the ‘Scott and Zelda’ of mid-century advertising graphics, were neglected when design history was written. A new book brings their colourful legacy into vivid focus
 
Powered flight

Powered flight

For fifteen years, Pegasus, an international biannual corporate magazine designed by Derek Birdsall, led a charmed life.
 
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