Feature: Graphic design
Two cheers for publishing
A two-volume book packed with graphic design history is a visual blockbuster, but does little for scholarship. By Rick Poynor
Tales from the West Coast
With its origins in ‘live journalism’ shows, The California Sunday Magazine achieves its narrative power through a cinematic approach to photography and type
This woman’s work
Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as comedy and rock’n’roll, is rooted in rigorous typography
Lovable loser
A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
Pulling back the curtain
Published by the Communist Women’s League, Ty i Ja [You and I] was an ambitious 1960s title that brought the outside world to its Polish readers
Two-colour haikus
Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers. John Miles talks to Paul Harpin
Point of difference
Enigmatic imagery and restrained typography give HR membership quarterly Work. the visual personality of an independent magazine
Double vision
Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital age
Liberté, égalité, typography
Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power of expressive type and images
For the love of food and print
Michele Outland, creative director of Bon Appétit, also co-founded and designs the indie mag Gather Journal. Steven Heller reports