Feature
Y' know cool stuff (extract)
New US work featuring Alife, Dalek, Huntergatherer, Chris Johanson, Margaret Kilgallen, Geoff McFetridge, Barry McGee, Ryan McGinness, Mike Mills, Ed Templeton
Mambo: good taste is fine for some
Mambo is crude, rude and a global brand. Can it remain subversive?
Douglas Annand (text in full)
Annand’s pavilion for the New York World’s Fair in 1939 was a triumph
Form follows purpose: Inkahoots (extract)
Does this Brisbane studio offer a role model for socially concerned design? [EXTRACT]
Postcard backs
The normally ignored verso of the common postcard is put under the spotlight
This is not a plane crash [extract]
We already know the camera can lie. Now digital technology has broken the photograph’s link to a moment in time, will we ever be able to trust photography again?
The new sobriety [extract]
During the 1980s the Netherlands looked like a graphic designer\'s heaven. Government subsidies allowed cultural work to flourish. Commercial clients backed experimentation seemingly without question. But the 1990s finds young Dutch designers beating a retreat.
Advertising: mother of graphic design [extract]
The word ‘advertising’ makes designers cringe. But it is central to the profession’s history and practice
Cyan [extract]
Form + Zweck, the Berlin design magazine, champions a critical Modernism. By refusing to compromise, its designers, Cyan, have created their own context