Issue 4


Steven Heller
Design has the power to effect change. Now it must develop a social conscience


Reputations: Wolfgang Weingart
Yvonne Schwemer-Scheddin
‘My work is like a quarry. People see a stone they like, appropriate it and work it until there’s nothing left.’ Eye talks to the father of New Wave typography.
William Owen
Some of the sharpest and most influential graphic design ideas come from the new magazines. Eye thumbs the pages of the international press and takes a close look at three of the most consistently creative titles: i-D, Interview, and Beach Culture
Andrzej Klimowski
While some designers rush for their keyboards, Henryk Tomaszewski prefers to create his posters as he always has — with a paintbrush
Margo Rouard-Snowman
With the enormous number of new museums comes a need for clear graphic identity
Katy Homans
Robert Brownjohn wanted to eliminate the boundaries between experience and design. In an explosively short career of remarkable promise, he pushed graphics, advertising and film to their conceptual limits
Julia Thrift
London’s most progressive designers are working with a small group of photographers highly sympathetic to their aims