‘My work is like a quarry. People see a stone they like, appropriate it and work it until there’s nothing left.’ Eye talks to the father of New Wave typography.
While some designers rush for their keyboards, Henryk Tomaszewski prefers to create his posters as he always has — with a paintbrush
Design has the power to effect change. Now it must develop a social conscience
Some of the sharpest and most influential graphic design ideas come from the new magazines. Eye thumbs the pages of the international press and takes a close look at three of the most consistently creative titles: i-D, Interview, and Beach Culture
With the enormous number of new museums comes a need for clear graphic identity
Robert Brownjohn wanted to eliminate the boundaries between experience and design. In an explosively short career of remarkable promise, he pushed graphics, advertising and film to their conceptual limits
London’s most progressive designers are working with a small group of photographers highly sympathetic to their aims