Review

 
Activism follows anger

Activism follows anger

Monika Parrinder

How do you channel anger into effective activism? This question remains urgent in an era…
 
Design culture with constraints

Design culture with constraints

Rose Epple

Until recently, everyday commercial graphic design from East Germany was largely absent from the cultural…
 
‘Because, history’

‘Because, history’

John L. Walters

Despite its name, Typo Berlin, founded in 1996, has never been solely dedicated to type…
 
The book of Michael

The book of Michael

Simon Esterson

It is a pleasure to read a book that is honest, accessible and direct about…
 
Thesis & antithesis & synthesis (& EJ)

Thesis & antithesis & synthesis (& EJ)

J-P Hartnett

There are few high-profile ‘traditional’ graphic design studios whose members discuss their work in such…
 
The unsung stencil master

The unsung stencil master

Paul Shaw

W. A. Dwiggins (1880-1956), the US designer best known for his typefaces Metro, Electra and…
 
Automonography

Automonography

Nick Bell

Abbott Miller’s book tells the story of a life in design: starting out – as…
 
When the camera nearly always lies

When the camera nearly always lies

Sarah Snaith

The Tate Modern’s ‘Performing for the Camera’ began with Yves Klein’s famous Leap into the…
 
Making sense of a complex ideal

Making sense of a complex ideal

Rob Waller

Simplification is an ideal we think we aspire to, whether we are talking about the…
 
Unpicking the design process

Unpicking the design process

Eleanor Herring

How do things in the design world actually get done? All too often the process…
 
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