Review
Predation and consumption: adrift in ecstacity
Architects with ambition rarely restrict their interests to only single buildings, or buildings in a…
Drink me
From its cork-finished covers to its wine-bottle proportions, Eduardo del Fraile’s Wine Labels looks and…
The mystery of frozen locomotion
This exhibition explores the static, two-dimensional representation of movement. In the catalogue (and in his…
All the flat boys
Michelle Cotton’s book, produced to accompany a Cubitt Gallery touring exhibition (see ‘From bombs to…
Culturing feedback on feedback culture
Blogs are easy to approach: you stumble on a link, read an article or two…
Murket forces
Despite my admiration for Naomi Klein’s No Logo (2000), it ultimately served only to increase…
Impeccable stupidity
Occasionally, a comedy show enters the public consciousness so far as to become a ‘cultural…
Comic Detours And Digressions
It is a mark of how far comics have come that Yale University Press should…
Delights at the end of the Mersey tunnel
Little known outside the northwest of England, Steve Hardstaff can correctly be described as ‘designer-in-chief…
Is type my religion? Food for thought
Typographique International) conference was not perfect, though the summer weather and the location, the University…