Issue 33


Editorial, John L. Walters

The first editorial by Eye’s new editor

Screen, Jessica Helfand

Erotic portfolio or ‘artcore’ porn?
Critique, Rick Poynor

While pornography invades the mainstream, a glossy magazine treats sexual imagery with unashamed…


Jessica Helfand

Visual data is often all we need: sound can divert the mind from interpretation, from completing the…

Patrick Baglee

‘I’ve never had a problem with a dumb client. There’s no such thing as a bad client. Part of our job is…

First Things First Manifesto 2000
Jonathan Barnbrook, Tibor Kalman, Ellen Lupton, Katherine McCoy, Rick Poynor, Abbott Miller, Lucienne Roberts, Jan van Toorn, Rudy VanderLans, Bob Wilkinson, Nick Bell, Jeffery Keedy, Zuzana Licko, Armand Mevis, Andrew Howard, Jessica Helfand, Milton Glaser, Andrew Blauvelt, Hans Bockting, Irma Boom, Sheila Levrant de Bretteville, Max Bruinsma, Sian Cook, Linda van Deursen, Chris Dixon, William Drenttel, Gert Dumbar, Simon Esterson, Vince Frost, Ken Garland, Erik Spiekermann

Thirty-three visual communicators renew the 1964 call for a change of priorities

Michael Worthington

New media is undergoing the kind of definition print went through centuries ago. A meditation on the…

J.J. King

A recent festival of new film-making showed what happens to creativity when designer/directors…

UNA (London) designers

A culture of forgetfulness and suspicion provides the ideal conditions under which our daily routines can…

John O’Reilly

Whether technology threatens the death of the album sleeve or signals a new era, there is no lack of…

Adrian Shaughnessy

Ben Drury’s freewheeling ‘house style’ mirrors the label's urban swagger

Robin Kinross

This swiss company has pioneered inventive solutions to the practical and aesthetic challenges of…

Punk uncovered: an unofficial history of provincial opposition
Ian Noble, Russell Bestley

British punk gave a sound, a voice and a visual currency to the disenfranchised and remote. Overlooked…