14 April 2009

Drawn to be wilder

Drawn to be wilder

rian hughes

Rian Hughes explores magazine hand-lettering in the latest issue of Eye
Custom type was not an occasional indulgent art in the pre-digital dark ages, it was…

14 April 2009

Golden age of type blogs?

Golden age of type blogs?

the type department

A whistle-stop tour through the top ten typographic weblogs
Here, at last, is our Easter week type special: the top ten type blogs, chosen…

9 April 2009

Out of the Fog and into the Fab

Out of the Fog and into the Fab

jan middendorp

Robothon 2009’s hi-tech type tools give automation to the superfamilies
Only a few decades ago, a conference about new developments in typographic technology would have…

8 April 2009

Cutting some Slack for the AR

Cutting some Slack for the AR

simon esterson

A framework that’s more than just a (projected) shadow of its former self
The Architectural Review, the 113-year-old monthly known simply as ‘the AR’ by its visually aware…

7 April 2009

Curwen on the Stone(s)

Curwen on the Stone(s)

the picture department

Pasche’s rock’n’roll posters get the fine printing treatment
Designer John Pasche writes to tell us that his celebrated Rolling Stones posters (see Two…

6 April 2009

Golden Age of type? Or the dark ages?

Golden Age of type? Or the dark ages?

the type department

Eye’s type special nominates the faces of the moment. Now name yours
In ‘Golden age?’ (Eye no. 71 vol. 18), we asked twelve practitioners – art directors…

6 April 2009

A contributor writes

A contributor writes

the post room

Letters from the Eye postbag: calligraphy by Paul Shaw
One of the more cheering aspects of working on a graphic design magazine is receiving…

4 April 2009

Q&A with Stefanie Schwarz

Q&A with Stefanie Schwarz

q&a

‘OpenType makes typographic subtleties easier to apply now’
Online exclusive. For other interviews on the theme of ‘Who needs design history?' see Eye…

3 April 2009

MadeThought / Typographic Circle

MadeThought / Typographic Circle

simon esterson

Taking the rough with the smooth off the grid
‘New designers come to work with us and I see them spending half a day…

2 April 2009

The Form of the Book 5

The Form of the Book 5

derek birdsall

Dracula, blood-red prints of darkness (with dedicated typefaces)
John Morgan’s meticulous reading of Dracula, Bram Stoker’s classic and complex ‘novel’ (originally published in…
 
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