Feature

 

Out of the darkroom and into the light

Sue Steward

Sue Steward considers the speed, the globalisation and the democratisation of digital photography
 
Paper planet

Paper planet

John L. Walters

Joost Grootens, whose background is in multimedia and architectural design, is reinventing the atlas for the 21st century
 

Graphic tourism

Jason Grant, Daoud Sarhandi

Shooting, cropping and editing turns the vernacular into glossy publishing.
 

The designer as architect

Rick Poynor

When Donald Wall made this book about Italian architect Paolo Soleri, he uncannily projected a vision of 1990s typography in its most radical form. By Rick Poynor
 

Play

Tomato

Tomato didn’t want to make an essay that could be readily ‘got’. For them, play is a kind of freedom, an activity inherently resistant to rules
 

Gothic horror

Steven Heller

The Nazi party’s obsession with cultural dominance extended far into calligraphy, lettering and type
 

Comic books come back with a cautious bang

Roger Sabin

After a 1990s bubble that went splatt, the comics industry has begun to renew itself through new formats, from glossy hardbacks to cheap pulp
 

The Press Release

John O'Reilly

The press release is one of the principal methods through which design companies, art directors and ad agencies speak to the media and the world outside. What does the press release say to the journalist during its brief journey from mailbox to wastebasket?
 

The endless library at the end of print

Teal Triggs

Does the current avalanche of glossy books constitute a genuine design history – or mere graphic ephemera? By Teal Triggs
 

Sound, code, image

John L. Walters

Postwar composers, such as Cage, Cardew and Crumb, have left an exuberant legacy of seductive graphic scores that still puzzle and fascinate the artists and musicians of today.