Feature

 

If the image of the text … has more value than its content …

Ewan Lentjes, Wigger Bierma

With visual culture triumphant and content marginalised, how can typography be defined?
 

A cast of thousands

Phil Baines

The future of type design
 

Reading the news

Phil Baines

In an-depth pictorial essay Phil Baines examines the ways major UK newspapers, tabloid and broadsheet, presented the events of September 11
 
Visual systems of life and death

Visual systems of life and death

Paul Kahn

In this appendix to ‘The pandemic that launched a thousand visualisations’, Paul Kahn outlines more of the dynamic visual systems that help our understanding of Covid-19
 

Face lift: new cuts at The Times

Phil Baines

When technological developments at The Times demanded a change in the newspaper’s typography, a brand new typeface was commissioned, prompting a new analysis of the font’s long and complex history
 

Sculptured letters and public poetry

Phil Baines

Sculptor Josep Maria Subirachs and poet Joan Brossa had little in common but a fierce pride in the city and culture of Barcelona, where their open-air letterforms grace the streets, squares and parks
 
Read me! Part 2. Literacy in graphic design education

Read me! Part 2. Literacy in graphic design education

Lucienne Roberts

‘Relativist’ debates within the profession have extended to the way design and typography are taught. If there are no agreed standards – no absolutes within design – how can one teach? Are we heading towards a state of ‘institutional ignorance’ as tutors have less knowledge to pass on to their students?
 
Read me! Part 1. Literacy in graphic design

Read me! Part 1. Literacy in graphic design

Lucienne Roberts

Graphic designers are responsible for the communication of ideas through words, signs and pictures. Yet experimentation and new aesthetics cannot emerge without a thorough understanding of reading and writing: if we accept that language is important, we must be prepared to protect it