Issue 38


John L. Walters
Anniversaries – the landmarks, jubilees and significant milestones favoured by…
Jessica Helfand

Me, the undersigned

Critique, Rick Poynor

The glossy enigma of digital supergirls. Critique by Rick Poynor

Agenda, Andrew Howard


Steven Heller

‘I think it is one of the paradoxical conditions of design authorship, that you have to be both producer…

Nick Bell

Whether these examples arrive under the aegis of a distinguished imprint, drop unsolicited through the…

John O’Reilly, John L. Walters

Creative work by Experimental Jetset, Mother, Struktur and others

Emily King

imply two separate worlds, yet artists who use text employ the techniques of graphic design. And so for…

John O’Reilly

Big books give KesselsKramer and Fuel an instant air of authority.

Monika Parrinder

The myth of genius – which promotes the artist as a lone, (even mad) pioneer – emerged when craftsmen…

John O’Reilly

Pentagram are ‘time-rich’. Browns are the young establishment.

Rick Poynor

In a typographic tour de force, Richard Hamilton has turned Duchamp’s notes for the Large Glass into…

John O’Reilly

Postcards from Sans + Baum; Müller + Hess’s Xmas horror …

Adrian Shaughnessy

Is graphic design, with its allusions and clutter, fundamentally antithetical to minimalism?

John O’Reilly, John L. Walters

Brochures: Frost, Push, Elliott Peter Earls, the Office of CC …

John O’Reilly

The press release is one of the principal methods through which design companies, art directors and ad…

Look away
Steven Heller

‘The South’, Seymour Chwast’s special civil rights issue of Push Pin Graphic, was a virtuoso display of…