Ferdinand P. Ulrich

Recent articles by Ferdinand P. Ulrich

Harmony and counterpoint

Issue 106, Summer 2024

Feature

The ideas and assumptions behind ‘global’ or ‘multi-script type’ raise complex and nuanced issues that have taxed both type designers and graphic designers for years. Current technology and the demands of communication and ‘branding’ have thrown up debates about the creation of readable documents, signs, packages and websites in which two or more different scripts are obliged to coexist. In this article, designers from different corners of the globe discuss some of the concerns and contradictions that inform the making and setting of multiple scripts with Ferdinand P. Ulrich [EXTRACT]

Typographics 21: Session 6

Issue 102, Autumn 2021

Feature

YuJune Park and Caspar Lam hosted a session dedicated to East Asian languages and scripts, during which their selected speakers from Hong Kong …

Typographics 21: Session 3

Issue 102, Autumn 2021

Feature

To address issues of Turkish and Persian typography, Chicago-based curator Pegah Ahmadi selected speakers who share the experience of …

Minjoo Ham: Ode to darkness

Issue 100, Summer 2020

Feature

Minjoo Ham’s charming heavyweight Hangul typeface, inspired by Korean movie posters, is now available in a Latin version

Last man casting

Issue 98, Spring 2019

Feature

Rainer Gerstenberg is one of the few people in the world to cast foundry type, keeping alive a craft that was developed more than half a millennium ago

From punch cutters to number crunchers

Issue 94, Summer 2017

Feature

In the summer of 1983, a Stanford seminar became a milestone in the long transition from craft to code