Review
The film poster as freeze-frame
Moving Pictures Painted: 200 Posters from the Golden Age of Egyptian Cinema (CentreCentre, £30) lifts the…
Banquet for a dude
The late Milton Glaser occupies a unique position at the pinnacle of Anglo-American graphic design. While…
Bad but good but …
‘Wave: Currents in Japanese Graphic Arts’ is a collection of ‘graphic arts’ with no typography. Tanaami…
Graphic friction
For the late 1980s / early 90s graphic designer, the two volumes of The Graphic Language…
Hockney asks the scientific question: ‘How?’
‘The Great Wall’, four-page gatefold from Secret Knowledge. After all the rhetoric expended upon new collaborations…
Read this space
Catherine Griffiths: Solo in [ ] Space by Zhihua Duan with Catherine Griffiths is ostensibly the…
Fontstand 2022
It was a Dutch train strike, rather than Covid-19, that threatened to disrupt Fontstand’s in-real-life event…
Ramp up the key strokes
Keith Armstrong (1950-2017) was a poet, artist, film-maker, musician (under the name ‘ruhuman’) and activist who…
Another world is possible
Design’s unsettled relationship to capitalism is nothing new. From the ‘First Things First’ (see Eye 33)…
Subterranean looks back
Before Steven Heller was the graphic design commentator, historian and educator Eye readers know well, he…