Review

 
Fontstand 2022

Fontstand 2022

Simon Esterson

It was a Dutch train strike, rather than Covid-19, that threatened to disrupt Fontstand’s in-real-life event…
 
Ramp up the key strokes

Ramp up the key strokes

John L. Walters

Keith Armstrong (1950-2017) was a poet, artist, film-maker, musician (under the name ‘ruhuman’) and activist who…
 
Another world is possible

Another world is possible

Aggie Toppins

Design’s unsettled relationship to capitalism is nothing new. From the ‘First Things First’ (see Eye 33)…
 
Subterranean looks back

Subterranean looks back

Briar Levit

Before Steven Heller was the graphic design commentator, historian and educator Eye readers know well, he…
 
Let the system do the work

Let the system do the work

Jim Sutherland

Martin Lorenz’s Flexible Visual Systems: The Design Manual for Contemporary Visual Identities is a proposal for…
 
The purpose is what it does

The purpose is what it does

Jarrett Fuller

What happens to a design after it has entered the world? What new meanings are generated…
 
A celebration of sans

A celebration of sans

Catherine Dixon

If, by setting out its content on its cover, a book could be said to wear…
 
Attack of the book jackets

Attack of the book jackets

John L. Walters

Tupigrafia A-Z is the book of the Brazilian magazine Tupigrafia published by Claudio Rocha and Tony…
 
The narrator is present

The narrator is present

Gabriela Matuszyk

Kenneth FitzGerald has been writing about design since 1996, when his first commissioned piece – a…
 
Magic and logic

Magic and logic

Simon Esterson

How do you tell the story of the way graphic design actually gets done? Two books…
 
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