Review

 
Mutant letters trickle down

Mutant letters trickle down

Mark Sinclair

An iron-on flock typeface, primarily available to buy from a few shops in New York between…
 
Banquet for a dude

Banquet for a dude

Rick Poynor

The late Milton Glaser occupies a unique position at the pinnacle of Anglo-American graphic design. While…
 
The film poster as freeze-frame

The film poster as freeze-frame

John L. Walters

Moving Pictures Painted: 200 Posters from the Golden Age of Egyptian Cinema (CentreCentre, £30) lifts the…
 
Ecological literacy

Ecological literacy

J-P Hartnett

The result of a decade spent ‘formulating a stronger ecological theory for design’, Joanna Boehnert’s…
 
Going off brand

Going off brand

Rick Poynor

Jason Grant and Oliver Vodeb’s uncompromising handbook of theory and action ends slyly with a…
 
Graphic friction

Graphic friction

Jeremy Leslie

This new book oozes friction. It has been produced to be enjoyed as a visual experience beyond a mere taxonomy of work.

 
Bad but good but …

Bad but good but …

Quentin Newark

‘Wave: Currents in Japanese Graphic Arts’ is a collection of ‘graphic arts’ with no typography. Tanaami…
 

Hockney asks the scientific question: ‘How?’

John L. Walters

‘The Great Wall’, four-page gatefold from Secret Knowledge. After all the rhetoric expended upon new collaborations…
 
Read this space

Read this space

John L. Walters

Catherine Griffiths: Solo in [ ] Space by Zhihua Duan with Catherine Griffiths is ostensibly the…
 
Fontstand 2022

Fontstand 2022

Simon Esterson

It was a Dutch train strike, rather than Covid-19, that threatened to disrupt Fontstand’s in-real-life event…
 
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