Review
Perfection of an empty page
The Japanese poster tradition has given us some of the most beautiful and, to western…
A design show that's not about design
Although Web design has been established for well over half a decade, the job of…
Parr’s ambivalent obsessions
‘Parrworld’, the title of Martin Parr’s latest exhibition, is a bold if not presumptuous declaration…
Fabrica’s grand tomb of shock
Fabrica 10 is a book with ten covers. About four inches thick, it is almost…
Ware: we are not worthy
Do we deserve someone as good as Chris Ware? Surely we are not worthy. Whether…
Spiritual values in a digital age
April Greiman occupies a special position in contemporary graphic design culture. She remains one of…
Concrete evidence
It is not unusual for the work of artists and designers to make the transition…
Toys are us
Tania Prill, Sebastian Cremers
Not a Toy, a boundary-busting book of art and fashion, is edited by Vassilis Zidianakis…
When Andy got his sticky fingers on an album . . .
Andy Warhol (1928-87) is the artist who will not die. His life and work helped…
Architectural fallout
In the centre of the Slovenian capital of Ljubljana is a big new office block…