Feature: Posters

 
The case of Romek Marber

The case of Romek Marber

The Polish-born graphic designer behind Penguin’s ‘Marber grid’ helped to define British postwar graphic design with work of great power and originality. His work can be seen in a touring exhibition, now in Krakow. Interview by John L. Walters. Portrait by Philip Sayer
 
The first couple of American billboards

The first couple of American billboards

Otis and Dorothy Shepard, the ‘Scott and Zelda’ of mid-century advertising graphics, were neglected when design history was written. A new book brings their colourful legacy into vivid focus
 
Pay close attention

Pay close attention

Adam Michaels and Prem Krishnamurthy of Project Projects bring deep cultural engagement to every aspect of their practice, both in their client work and in their personal ventures
 
Tony Brook on collecting

Tony Brook on collecting

Spin’s founder, the subject of Reputations in Eye 86, talks about his passion for poster collecting
 
Screen prints

Screen prints

Recently discovered posters for the RCA Film Society provide fresh perspective on the intimate relationship between graphics and cinema in the 1950s and 60s.
 
Gender rendition

Gender rendition

Todd Trexler’s Das Black Moonlight poster marked drag’s movement into the public consciousness.
 
Raise the bar

Raise the bar

Uncompromising posters for the Théâtre Nanterre-Amandiers in Paris
 
Malcolm, Peter … and Keith

Malcolm, Peter … and Keith

The British New Wave was born at a boys’ school near Manchester
 
Reputations: Richard Hollis

Reputations: Richard Hollis

‘The ideal situation is where you sit with the client and design with them. If anything is emphasised, it’s what they want to emphasise. I prefer collaborative effort to doing what I want. It’s diametrically opposite to being an artist.’
 

Reputations: Roman Cieslewicz

‘Posters are dying out. They need strong themes, which at present they lack. As a form of communication, they belong to another age’
 
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