The Polish-born graphic designer behind Penguin’s ‘Marber grid’ helped to define British postwar graphic design with work of great power and originality. His work can be seen in a touring exhibition, now in Krakow. Interview by John L. Walters. Portrait by Philip Sayer
Otis and Dorothy Shepard, the ‘Scott and Zelda’ of mid-century advertising graphics, were neglected when design history was written. A new book brings their colourful legacy into vivid focus
Adam Michaels and Prem Krishnamurthy of Project Projects bring deep cultural engagement to every aspect of their practice, both in their client work and in their personal ventures
Spin’s founder, the subject of Reputations in Eye 86, talks about his passion for poster collecting
Recently discovered posters for the RCA Film Society provide fresh perspective on the intimate relationship between graphics and cinema in the 1950s and 60s.
Todd Trexler’s Das Black Moonlight poster marked drag’s movement into the public consciousness.
‘The ideal situation is where you sit with the client and design with them. If anything is emphasised, it’s what they want to emphasise. I prefer collaborative effort to doing what I want. It’s diametrically opposite to being an artist.’
Screenprints gave both activists and artists a means of direct expression