Feature
This woman’s work
Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as comedy and rock’n’roll, is rooted in rigorous typography
The alternative viewpoint
The magazines in the stable of Jop van Bennekom and Gert Jonkers are as distinctive in their editorial voices as they are in their visual tone and design
Lovable loser
A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
Pulling back the curtain
Published by the Communist Women’s League, Ty i Ja [You and I] was an ambitious 1960s title that brought the outside world to its Polish readers
Two-colour haikus
Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers. John Miles talks to Paul Harpin
Guilt, abstracted
Nora Krug’s graphic memoir explores the
impact of the Second World War – and the Nazi regime – on German families
Point of difference
Enigmatic imagery and restrained typography give HR membership quarterly Work. the visual personality of an independent magazine
Double vision
Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital age
Liberté, égalité, typography
Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power of expressive type and images
Generation font rent
Fontstand has pioneered an innovative way for graphics students to make work with professional quality typefaces. Jan Middendorp investigates