Feature
Cultural Identities
With the enormous number of new museums comes a need for clear graphic identity
Mondo magazines
Some of the sharpest and most influential graphic design ideas come from the new magazines. Eye thumbs the pages of the international press and takes a close look at three of the most consistently creative titles: i-D, Interview, and Beach Culture
The Painted Word
While some designers rush for their keyboards, Henryk Tomaszewski prefers to create his posters as he always has — with a paintbrush
Cranbrook in close-up
Projects by David Frej, Katherine McCoy, Edward Fella and Allen Hori
The academy of deconstructed design
Students and graduates of Cranbrook Academy of Art are producing some of the world’s most challenging graphic design.
Technology, aesthetics and type
With a substantial body of work already completed, Gerard Unger’s designs are entering a new phase.
Paint it black
No one ran pictures bigger, cropped them tighter or had a darker vision than Willy Fleckhaus, the art director’s art director
Reputations: Pierre Bernard
‘I don’t believe in revolutionary design, but I do believe that reactionary designs exist. It’s always easier to perpetuate the same forms and contents rather than to search out new ones.’
Why Grapus had to disband. Eye talks to founder Pierre Bernard