Yvonne Schwemer-Scheddin

Recent articles by Yvonne Schwemer-Scheddin

Signals in the street

Issue 2, Winter 1990

Feature

Poster design is an instantaneous art. Eye looks at prize-winners from “Typography Germany ’90”

The good radical

Issue 1, Autumn 1990

Feature

In Eckhard Jung’s work the teaching of Ulm lives on

Reputations: Adrian Frutiger

Issue 31, Spring 1999

Feature

‘I was fortunate. Early in life, I understood that my world was a two-dimensional one. At sixteen I knew that my work would be in black and white.’

From notebook to hyperbook

Issue 32, Summer 1999

Feature

In the Wiener Ausgabe, Michael Nedo translated Wittgenstein’s wide-ranging and intertwined philosophical remarks into typographic form

Reputations: Hans-Rudolf Lutz

Issue 23, Winter 1996

Feature

‘I am addicted to teaching. I have a compulsion to explain the world to others, and to have it explained to me again and again by the students’

Reputations: Gunter Rambow

Issue 26, Autumn 1997

Feature

One of the few remaining poster designers with political edge now teaches his students to reflect more than just Zeitgeist.

Reputations: Josef Müller-Brockmann

Issue 19, Winter 1995

Feature

‘I would advise young people to look at everything they encounter in a critical light … Then I would urge them at all times to be self-critical.’

Reputations: Wolfgang Weingart

Issue 4, Summer 1991

Feature

‘My work is like a quarry. People see a stone they like, appropriate it and work it until there’s nothing left.’ Eye talks to the father of New Wave typography.