Review

 
The advocacy of Tschichold

The advocacy of Tschichold

Doug Clouse

As Paul Stirton, the curator of ‘Jan Tschichold and the New Typography’ readily admits, his…
 
Where was Weimar?

Where was Weimar?

Alex J. Todd

The era of the Weimar Republic, which emerged in Germany in the wake of the…
 
Design odyssey

Design odyssey

John L. Walters

Stanley Kubrick (1928-99) has long been the ultimate designers’ director, a man who presided over…
 
In search of dialogue

In search of dialogue

J-P Hartnett

The Design Observer (DO) blog was launched in 2003 by William Drenttel, Jessica Helfand, Michael…
 
One lifetime is not enough

One lifetime is not enough

Aileen Kwun

If you are not familiar with the joyous work of designer Gere Kavanaugh, one look…
 
Who cares if you read?

Who cares if you read?

Adrian Shaughnessy

David Carson is indelibly linked to the notion of the ‘end of print’, encapsulated by…
 
A new world of worlds

A new world of worlds

J-P Hartnett

‘What would it take to construct a non-Eurocentric design imagination?’ This is the stark question…
 
Yes we can change

Yes we can change

Sarah Snaith

Sunny Dolat, co-founder of The Nest Collective, at What Design Can Do México City, 2019…
 
Walker’s riddles

Walker’s riddles

John L. Walters

Tim Walker’s photographs are dispatches from a non-parallel universe. His images convey a glittering otherness…
 
Faenza mon amour

Faenza mon amour

Massimo Gonzato

Faenza is a pleasant little medieval Italian town with a name meaning ‘glazed earthenware’ (as…
 
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