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The Nebiolo legacy
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Though Italy’s most renowned type foundry closed its doors more than four decades ago, its influence endures. By the Nebiolo History Project
In the right hands
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The work of Barcelona type designer Laura Meseguer is a beguiling alchemy of hand- lettering and digital craft. By Jan Middendorp. Photographs by Francesco Brembati
Design for a better world
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Indian design duo November balances commercial practice with a commitment to social change. By John L. Walters
Icons of oppression
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Belgian graphic design and the colonisation of Congo. By Sara De Bondt
Fighting words
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There is an elephant in the room, but there are some signs that we are…
Access to the futures of type
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‘Inscript’, a five-day virtual type festival, provided a platform for new technologies and new approaches to typography. By Gabriela Matuszyk
The inaugural experimental type festival ‘Inscript’ took place online from 12-16 October 2022 ...
Jump cuts
Motion design is everywhere. The gleaming screens of our phones, TVs and poster sites demand more and more ways to make words and pictures dance in space and time. By John L. Walters
The Panther experience
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New York’s Poster House explores the graphics at the heart of the Black Power movement. Robert Newman reports
‘Black Power to Black People’ is a powerful, inspirational collection of important cultural and political work …
Nothing is real
Bad is the new good. Quentin Newark descends into Japan House for ‘Wave: Currents in Japanese Graphic Arts’.
Visiting, you descend stairs, like going into the Underworld …
Artificial idiot
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Unpredictable, cliché’d, wonderful, neither artificial nor intelligent – is AI the dumbest new kid on the block or the future of illustration? Marian Bantjes explores the weird world of text-to-image generators