Feature: Graphic design

 
James Mosley: A life in objects

James Mosley: A life in objects

Through his ideas, collecting and dogged research, the former St Bride librarian has shown that printing history can be both lively and opinionated. The world of typography owes him a great debt
 
Four seasons

Four seasons

Micha Weidmann’s art direction for a cookbook by London chef Ollie Dabbous, with photographs by Joakim Blockstrom
 
Moscow by type

Moscow by type

For the underground railway of Russia’s capital, wayfinding experts City ID commissioned A2-Type to make the Metro’s first typeface and pictogram system
 
Writing the city

Writing the city

Signwriter Pete Hardwicke has left his mark on a significant area of London
 
Crowd-sourced wisdom?

Crowd-sourced wisdom?

As Hershey and Airbnb have discovered, the internet has spawned a vast, powerful audience of opinionated design critics. If resistance is futile, how can designers adapt?
 
The first couple of American billboards

The first couple of American billboards

Otis and Dorothy Shepard, the ‘Scott and Zelda’ of mid-century advertising graphics, were neglected when design history was written. A new book brings their colourful legacy into vivid focus
 
Critical heat on the Aegean coast

Critical heat on the Aegean coast

A workshop in a remote Turkish village gave international students a chance to explore what design can do when technology is scarce
 
Pay close attention

Pay close attention

Adam Michaels and Prem Krishnamurthy of Project Projects bring deep cultural engagement to every aspect of their practice, both in their client work and in their personal ventures
 
Reputations: Mucho

Reputations: Mucho

‘We were interested in working internationally, to learn from different cultures and to know how design behaves globally. We had international clients. But you really need people in those places to stay active. So the answer is sharing.’
 
Chasing perfection

Chasing perfection

From Penguin bestsellers to Royal Mail stamps; from elaborate playing cards to the covers of Radio Times; the illustrator and designer Tony Meeuwissen has always taken a dedicated and detailed approach to his exquisitely hand-crafted artwork. Mike Dempsey reflects on a career that has spanned more than 50 years
 
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