Feature: Photography

 
Show and tell

Show and tell

From great apes and pop fans to real children’s spaces, James Mollison’s photographs invite the viewer to look beyond face values.
 
Adventures in motion pictures. Aerial ballet of upholstery

Adventures in motion pictures. Aerial ballet of upholstery

Matthew Donaldson’s high-speed ‘still life’ photoshoot with GTF for Kvadrat at Pinewood
 

Adventures in motion pictures. Frozen fire

‘It’s like a game of rock-paper-scissors, in which the flicker of film melts the frozen photograph.’
 
All my own work

All my own work

Books lie at the heart of photography’s history. Now photographers are opting for the freedom and ‘total conception’ of publishing themselves.
 
Bare bones of the revolution

Bare bones of the revolution

Richard Pare’s photographs of Russian architecture strike up a dialogue with a time of energy and optimism.
 
Art and art direction – Jens Gehlhaar

Art and art direction – Jens Gehlhaar

Jens Gehlhaar, of directors’ collective Brand New School, moves effortlessly between moving image campaigns, still photography and CGI.
 
Out of the darkroom

Out of the darkroom

Newport’s reputation for cutting-edge photography is based on a solid grounding in film-based techniques and an appetite for constant change.
 
Every detail counts

Every detail counts

Wayne Ford profiles a ‘major force in British photography’
 
The view from here

The view from here

Julio Bittencourt records the last days of Prestes Maia 911 in São Paulo, Brazil.
 

Adventures in motion pictures. The post-photographic age

Do editors’ demands for both motion and stills mean that an era of still photography is coming to an end?
 
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