Feature: Typography

 
Character studies

Character studies

Michael Johnson’s project to make a ‘phonetic typeface’ that English speakers can understand
 
Allan Fleming: The man who branded a nation

Allan Fleming: The man who branded a nation

At a pivotal moment in Canada’s history, Allan Fleming’s typographic designs for stamps, books, advertisements, logos and big civic projects shaped the look of the country, leaving a vital legacy
 
Different strokes

Different strokes

Sensitive details and technological ingenuity make Alejandro Paul’s script typeface designs both highly regarded and hugely popular
 

Typostalgie

Nostalgia for Germany’s old East has led to renewed interest in certain pre-1989 typefaces
 
South Bank show

South Bank show

The Royal Festival hall has regained the thoroughly English lettering of its origins in the Festival of Britain – on one side only
 
Memory of books

Memory of books

An elaborate, tactile catalogue – and a digital typeface – pay tribute to a golden age of Spanish typography.
 

Set the letters free

Australian artist Rosalie Gascoigne turned discarded packaging type into ‘stammering concrete poetry’
 
Willem Sandberg: Warm printing

Willem Sandberg: Warm printing

The Dutch pioneer’s catalogues for the Stedelijk show a tactile use of sensual materials and experimental typography
 
Reputations: George Lois

Reputations: George Lois

‘You can’t research a big idea. The only ideas that truly research well are mediocre ideas. In research, great ideas are always suspect.’
 
Malcolm, Peter … and Keith

Malcolm, Peter … and Keith

The British New Wave was born at a boys’ school near Manchester
 
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