Feature: Typography

 
Originality and inspiration

Originality and inspiration

It may be unrealistic to expect that every new typeface will be unique and original, but giving up this ambition leads to stagnation
 
States of independence

States of independence

The fragmentation of the type market has led to new ways of examining, acquiring and enjoying typefaces … and some confusion
 
The business of type design

The business of type design

The challenges of earning a living from type design, with honest, thoughtful responses from foundries worldwide
 
Last man casting

Last man casting

Rainer Gerstenberg is one of the few people in the world to cast foundry type, keeping alive a craft that was developed more than half a millennium ago
 
Tales from the West Coast

Tales from the West Coast

With its origins in ‘live journalism’ shows, The California Sunday Magazine achieves its narrative power through a cinematic approach to photography and type
 
This woman’s work

This woman’s work

Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as comedy and rock’n’roll, is rooted in rigorous typography
 
Lovable loser

Lovable loser

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
 
Two-colour haikus

Two-colour haikus

Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers. John Miles talks to Paul Harpin
 
Double vision

Double vision

Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital age
 
Liberté, égalité, typography

Liberté, égalité, typography

Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power of expressive type and images
 
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