Feature: Typography

 
Last man casting

Last man casting

Rainer Gerstenberg is one of the few people in the world to cast foundry type, keeping alive a craft that was developed more than half a millennium ago
 
Tales from the West Coast

Tales from the West Coast

With its origins in ‘live journalism’ shows, The California Sunday Magazine achieves its narrative power through a cinematic approach to photography and type
 
This woman’s work

This woman’s work

Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as comedy and rock’n’roll, is rooted in rigorous typography
 
Lovable loser

Lovable loser

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
 
Two-colour haikus

Two-colour haikus

Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers. John Miles talks to Paul Harpin
 
Double vision

Double vision

Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital age
 
Liberté, égalité, typography

Liberté, égalité, typography

Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power of expressive type and images
 
For the love of food and print

For the love of food and print

Michele Outland, creative director of Bon Appétit, also co-founded and designs the indie mag Gather Journal. Steven Heller reports
 
Looking at magazines looking at themselves

Looking at magazines looking at themselves

Five enormous, lavish books celebrate the achievements of five legendary titles: Harper’s Bazaar, Rolling Stone, New York, The Face and Octavo
 
Serious goals

Serious goals

Art director Robert Priest turned editor to make Eight by Eight, an ambitious football title based in Brooklyn
 
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