Feature: Typography

 
Return to the square

Return to the square

A chance discovery by some builders led to the adaptation and expansion of a 1930s alphabet by one of Switzerland’s foremost designers
 
Strategy of excess

Strategy of excess

Like a human algorithm, Hansje van Halem explores a huge number of variables until she finds the right ‘recipe’ for each project
 
Bram de Does: the king of (functional) swing

Bram de Does: the king of (functional) swing

An insistence that technology should match design spurred typographer Bram de Does to create two of the twentieth century’s most beautiful types
 
Originality and inspiration

Originality and inspiration

It may be unrealistic to expect that every new typeface will be unique and original, but giving up this ambition leads to stagnation
 
States of independence

States of independence

The fragmentation of the type market has led to new ways of examining, acquiring and enjoying typefaces … and some confusion
 
The business of type design

The business of type design

The challenges of earning a living from type design, with honest, thoughtful responses from foundries worldwide
 
Last man casting

Last man casting

Rainer Gerstenberg is one of the few people in the world to cast foundry type, keeping alive a craft that was developed more than half a millennium ago
 
Tales from the West Coast

Tales from the West Coast

With its origins in ‘live journalism’ shows, The California Sunday Magazine achieves its narrative power through a cinematic approach to photography and type
 
This woman’s work

This woman’s work

Kate Hepburn’s design career, embracing pioneering magazines such as Spare Rib and Vole as well as comedy and rock’n’roll, is rooted in rigorous typography
 
Lovable loser

Lovable loser

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
 
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