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Typographics 21: Session 3

To address issues of Turkish and Persian typography, Chicago-based curator Pegah Ahmadi selected speakers who share the experience of …

Typographics 21: Session 2

Anoushka Khandwala

Hosted gracefully by November’s Shiva Nallaperumal, this session touched on type’s radical capabilities as well as its artistic potential …

Typographics 21: Session 1

Elena Veguillas

This opening session, curated and introduced by Colombian designer César Puertas, had activism and resistance at the core of the three talks …

Global type tour

Gerry Leonidas

‘Typographics 21’ was a ten-session, online journey that covered type and lettering from around the world – but with the explicit exclusion of Europe and North America. By Gerry Leonidas

The Nebiolo legacy

Nebiolo History Project, Marta Bernstein, James Clough, Alessandro Colizzi, Riccardo De Franceschi, Massimo Gonzato, Riccardo Olocco

Though Italy’s most renowned type foundry closed its doors more than four decades ago, its influence endures. By the Nebiolo History Project

Reputations: Thomas Huot-Marchand

Véronique Marrier, Deborah Burnstone

‘It is not a question of revisiting a typographic style, but of questioning the means of creating typefaces, of establishing a new formal logic by pushing certain parameters to their maximum.’ Interview by Véronique Marrier

Mark Holt: Games, set and dispatch

Interview by John L. Walters

The title page credit for Munich ’72: The Visual Output of Otl Aicher’s Dept XI reads ‘Researched, written, edited, designed and published by Mark Holt.’ Interview by John L. Walters

Conversation with John Burn-Murdoch

Interview by John L. Walters

As Covid-19 spread across the globe, it became clear that data visualisation would become ‘the language of the pandemic’.

A niche of a niche

Andrew Robertson

CentreCentre is the imprint founded by British designer Patrick Fry

My friend David King

Richard Hollis

The book David King: Designer, Activist, Visual Historian is a comprehensive account of the work of a unique figure in graphic design history. Here Richard Hollis, witness to King’s development as designer, artist, collector and pioneering author-designer of dazzling books of social and political history, recalls his friend and fellow designer. By Richard Hollis

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