Feature
Jump cuts: Hiromu Oka
‘By using Risograph to actually print on paper and then digitally scan it, I was able to create an authentic warmth’ [EXTRACT]
Jump cuts: Len Lye
‘Motion is not an intellectual game. There is not a moment in life that’s empty of kinetic experience’ [EXTRACT]
Reputations: Peter Knapp
‘I redesigned the Elle logotype as I thought it was too small. I wanted its letters to sit with the head of the cover model by enlarging the letter-spacing. Of all the things I’ve done, this is the one thing that was never changed.’ Interview by Serge Ricco [EXTRACT]
Time stretched further out
We made this: Punkt’s design for David Sylvian’s photobook ERR
Noise free
Tomo Tomo, the Milanese editorial design studio founded by Luca Pitoni and Davide Di Gennaro, aims for clarity and structure. By Paolo Ferrarini. Portrait by Luigi Fiano [EXTRACT]
Witness
Lucinda Rogers’ reportage drawings captured the urgent activism and human drama that surrounded Cop26, the 2021 Glasgow climate summit. By John L. Walters. Portrait by Jillian Edelstein [EXTRACT]
Battlefield of ideas
Greg
Bunbury’s Black Outdoor Art project plays on our expectations of media space
and expression. By Anoushka Khandwala [EXTRACT]
Reputations: Garry Fabian Miller
‘I decided photography had to be colour when I was sixteen years old … The materials were difficult, but Cibachrome has this incredible colour saturation and permanence.’ Interview by Grant Gibson. Portrait by Philip Sayer
Captain airbrush
Illustrator Harry Willock’s role has been overlooked, yet his work with Alan Aldridge produced scores of era-defining works. Mike Dempsey reports. Portrait by Philip Sayer. [EXTRACT]
Icons of oppression
Belgian graphic design and the colonisation of Congo. By Sara De Bondt