Feature

The work must be read

Russell Holmes

Lawrence Weiner’s art is a kind of sculpture made of language, free from excess or embellishment and strangely familiar from its far-reaching influence on graphic designers

Punch cuts

Nick Shinn

The type and layout of a Victorian weekly anticipated Modernism

What is this thing called graphic design criticism?

Michael Rock, Rick Poynor

In the last ten years a substantial body of critical writing on graphic design has amassed. In this transatlantic dialogue, Rick Poynor and American design critic Michael Rock explore the state of design criticism now and put the arguments for different approaches

Reputations: Neville Garrick

Chris Morrow

‘I won’t compromise my concept. If entertainment doesn’t contain information, then I don’t want anything to do with it.’

Out of town shopping

David Heathcote

Though its public lettering reassures customers with poetry and fiction this shimmering mall is, at heart, a three dimensional shopping catalogue

Reputations: Piet Schreuders

Max Bruinsma, Chris Vermaas

‘I don’t want to know the canon, because it is completely irrelevant and transient. If you fight the canon you become a product of its system’

Cute culture

Miki Kato

The Japanese obsession with cute icons is rooted in cultural tradition

Visual journalism: magazines and technology

John O'Reilly

New technology has transformed the medium of magazines, and social diversity and fragmentation mean that a magazine’s appeal rarely crosses taste and lifestyle boundaries. So what is actually being sold in the stuff that surrounds the advertisements?

The modernist body

Jeremy Aynsley

Images of the human form receive little analysis. An exhibition at London’s Victoria & Albert museum explores approaches to the body in early German design.

A terrible beauty

Steven Heller

The atomic bomb’s mushroom cloud has become the logo of annihilation
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