Issue 25


Editorial, Max Bruinsma
Merging more and more with a 'metadisciplinary' visual culture, the role of graphic design is changing…
Screen, Jessica Helfand
Technology's mission to merge reality and fiction reflects the divided self of its operators - behind…
Agenda, Jamie Hobson
By favouring drawing over communication in the selection of students, graphic design education is missing the point


Reputations: Milton Glaser
Steven Heller
‘I am nervous about ideologies, whether it’s the ideology of business or the ideology of Bolshevism. I get nervous in the presence of absolute certainty’
Orsat Franković
The graphic design legacy of the young republic of Croatia can be traced through its turbulent past and rich traditions. By Orsat Francović
Designers overcome their initial contempt for a low-resolution medium to bring clarity to the World Wide Web
Will Novosedlik
In the ‘post-intellectual’ era, four Canadians use their talents in the service of creative discourse and the act of reading
Max Bruinsma
With computers as the means for limitless manipulations of signs, designers now exalt subjectivity and impermanence
Emily King
With a CD-ROM based on its legendary lettering archive, Central Saint Martins has created a new tool and resource
Rick Poynor
Paul Elliman tells his students that “everything you know is wrong”, embracing error to find ideas where others see junk
Brett Wickens
Version 4 of Adobe Photoshop, the champion of photo processing software, comes with new tools for Web designers
Steven Heller
In 1962 Ralph Ginsburg and Herb Lubalin defied puritantical America with the four issues of their erotic magazine Eros
Willem Sandberg: Warm printing
Mafalda Spencer
The Dutch pioneer’s catalogues for the Stedelijk show a tactile use of sensual materials and experimental typography