Issue 61


John L. Walters
A few years ago, when interviewing Abbott Miller for Reputations (Eye no. 45 vol. 12) I…
Letter to the editor, Ben Archer
Letter from Ben Archer
Letter to the editor,
Letter from John Hubbard
Letter to the editor,
Letter from J.T. Adams
Letter to the editor,
Letter from Darren Young
Letter to the editor,
Letter from Robert Fauver
Letter to the editor,
Letter from Christopher Robbins
Digital self-expression
Rick Poynor
The MySpace phenomenon makes graphic expression as simple as swapping photos or keeping a diary. Critique by Rick Poynor


Neither downloading, promoting nor selling, Seemusic is about the age-old quest to experience sound as vision
Karl Baden
Simon Esterson
Words and pictures – and the way they are used to tell a story – lie at the heart of every magazine, big or small
Alice Twemlow
Each of Jop van Bennekom’s eccentric magazines perches precariously at its niche’s edge
Abbott Miller
Exhibitions blend the complexities of architectural space with the narrative concerns of book design
Will Temple
Abbott Miller’s installation for the Freud Museum in Vienna puts exhibition design theory into practice
Steven Heller
Why has France’s influence upon European graphic design been underestimated and neglected?
Roger Sabin
Though inspired by UK punk, the Bazooka collective’s violent, sexy graphics spoke in a French accent
John O'Reilly
‘Good’ editorial design has no place in The Guardian’s print-your-own A4 G24, but readers love its ‘robotic’ vernacular
Steve Hare
Smear, featuring a caricature of UK politician Jeremy Thorpe, is the Penguin Special that never was