Feature: Visual culture

 
They made Canada

They made Canada

Working against the clock, with virtually no budget, Greg Durrell made a design documentary that shows how European immigrants created Canada’s visual identity
 
Return to the square

Return to the square

A chance discovery by some builders led to the adaptation and expansion of a 1930s alphabet by one of Switzerland’s foremost designers
 
Strategy of excess

Strategy of excess

Like a human algorithm, Hansje van Halem explores a huge number of variables until she finds the right ‘recipe’ for each project
 
Lovable loser

Lovable loser

A daring approach to sports journalism earned the short-lived Jock magazine a place in design history
 
Pulling back the curtain

Pulling back the curtain

Published by the Communist Women’s League, Ty i Ja [You and I] was an ambitious 1960s title that brought the outside world to its Polish readers
 
Two-colour haikus

Two-colour haikus

Banks & Miles art directed Which? magazine, the Consumers’ Association’s flagship title and its covers. John Miles talks to Paul Harpin
 
Double vision

Double vision

Fast-paced, emotional, competitive, surprising – Germany’s ZEITmagazin is a print title for the digital age
 
Liberté, égalité, typography

Liberté, égalité, typography

Serge Ricco, creative director of l’Obs, has shown this word-driven, left-wing French weekly the power of expressive type and images
 
Reputations: David Driver

Reputations: David Driver

‘That was the buzz one got about publishing. What do people want? Where are the gaps in the market? You wanted it to push boundaries … give people information that they never possessed before.’ Interview by Martin Colyer
 
Looking at magazines looking at themselves

Looking at magazines looking at themselves

Five enormous, lavish books celebrate the achievements of five legendary titles: Harper’s Bazaar, Rolling Stone, New York, The Face and Octavo
 
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