Feature: Visual culture

 
Unity and justice and …

Unity and justice and …

Jason Grant, of Brisbane’s Inkahoots, explains why he brought his New Anthems project to Berlin to collaborate with Anja Lutz’s A–Z gallery and the Buchstabenmuseum
 
Fritz Gottschalk and the Swiss-Canadian connection

Fritz Gottschalk and the Swiss-Canadian connection

Gottschalk + Ash International spans more than five decades, a Swiss design studio with Modernist roots in Northern Europe and North America. Eye went to Zürich to meet the people behind the practice
 
Designing with urgency

Designing with urgency

From politics to culture to business, Dutch studio Thonik strikes a balance between adventurous concepts and pragmatic resolutions
 
Art and ambiguity

Art and ambiguity

The identity for Venice Biennale Arte 2019, designed by Melanie Mues, distorts type across a colourful three-dimensional grid
 
News cycle

News cycle

Italian designer Francesco Franchi brings magazine finesse to the world of daily newspapers
 
Normcore inferno

Normcore inferno

As brand mania reaches new heights the new logotypes of luxury brands become ever more remarkable in their blandness
 
They made Canada

They made Canada

Working against the clock, with virtually no budget, Greg Durrell made a design documentary that shows how European immigrants created Canada’s visual identity
 
Return to the square

Return to the square

A chance discovery by some builders led to the adaptation and expansion of a 1930s alphabet by one of Switzerland’s foremost designers
 
Strategy of excess

Strategy of excess

Like a human algorithm, Hansje van Halem explores a huge number of variables until she finds the right ‘recipe’ for each project
 
Pulling back the curtain

Pulling back the curtain

Published by the Communist Women’s League, Ty i Ja [You and I] was an ambitious 1960s title that brought the outside world to its Polish readers
 
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