Feature
The men who fell to earth
In three turbulent years, from 1968-71, the illustration and design supergroup Bentley / Farrell / Burnett helped to define the look of the time
The long look
Creating playful, thoughtful images for The Guardian’s ‘long read’ section relies upon a close relationship between the paper’s art desk and a roster of illustrators who can make exemplary work at speed
Reputations: Fuel
‘We love collecting vernacular … it’s functional, not following a preconceived idea of what is correct. This can give it an unexpected quality … in “real” design all those elements are lost. Everything is too considered.’ By Rick Poynor
Permanent opposition
Perched in a London office overlooking the Thames, Peter Brookes has just hours to turn headline news into hard-hitting cartoons for
The Times, skewering vain, inane and insane politicians with meticulous craft
Olivier Kugler: bearing witness
This contemporary illustrator uses his ears and eyes – plus a camera, digital voice recorder, sketchbook, pencil, scanner and laptop – to document stories of exile, displacement and the complex reality of refugees’ lives
Ambition and illustration
Alan Male welcomes a return to the ‘polymath principle’, the idea that an illustrator should engage with their subject matter at a deeper, more authorial level
Time machine
Each summer since 1973, artist Tom Phillips has taken photos of the same twenty places in his South London neighbourhood. The resulting artwork – 20 Sites n Years – is both conceptual art and social history
I am a poster
David Crowley, curator of ‘The Poster Remediated’ at the Warsaw International Poster Biennale, examines some of the relationships that exist between posters and the human body
Reputations: Stuart Geddes
‘I am interested in exploring different archetypes of books … I like to create friction between design conventions and juxtapose them to make something new.’
A manual of hand-made Modernism
In 1949, a comprehensive portfolio by Swiss designer Walter Käch helped set the stage for postwar innovation in letterform design