Feature
Adventures in motion pictures. ‘This is reality’
Tim Hetherington and Restrepo, the prize-winning documentary he made with Sebastian Junger
A certain smile
Sara De Bondt is a shaker and mover, who leads a studio with a decisively contemporary approach to identity design
Interview with Dan Fern
Professor Dan Fern explains his pioneering ‘MAP / making’ course at the Royal College of Art, London
Once upon a time...
… there was a Big Bad President. How satirists use children’s tales to puncture the huffing and puffing of politicians
Surface to space
Maths, computers and the internet are bringing new life, form and purpose to a traditional paper art
Reputations: Kris Sowersby
‘New Zealand is a young country and hasn’t had the time, or resources to develop a typeface culture. I am free to draw upon multiple influences. I haven’t been taught or exposed to any one particular typographic heritage, so my hand isn’t biased.’
Excoffon’s autograph
Why is Mistral the typeface of choice for so many of Montréal’s small businesses?
Straight to no. 1
A great commercial stock image is like a three-minute pop song: the best have a simple repetitive emotional intelligence.