Feature
Fraser Muggeridge: The improviser
‘The role of printed matter has shifted from what it communicates literally to what it communicates subconsciously.’
Unity and justice and …
Jason Grant, of Brisbane’s Inkahoots, explains why he brought his New Anthems project to Berlin to collaborate with Anja Lutz’s A–Z gallery and the Buchstabenmuseum
Everyday people
Emma Thomas and Kirsty Carter’s Apfel, A Practice for Everyday Life, brings design into the art world, and makes design an art
Fritz Gottschalk and the Swiss-Canadian connection
Simon Esterson, John L. Walters
Gottschalk + Ash International spans more than five decades, a Swiss design studio with Modernist roots in Northern Europe and North America. Eye went to Zürich to meet the people behind the practice
Designing with urgency
From politics to culture to business, Dutch studio Thonik strikes a balance between adventurous concepts and pragmatic resolutions
Art and ambiguity
The identity for Venice Biennale Arte 2019, designed by Melanie Mues, distorts type across a colourful three-dimensional grid
News cycle
Italian designer Francesco Franchi brings magazine finesse to the world of daily newspapers
Normcore inferno
As brand mania reaches new heights the new logotypes of luxury brands become ever more remarkable in their blandness
Is foil the new black? Only when it’s green
A British firm is determined to help designers understand the foiling process, from start to shiny finish. By Martin Colyer