Issue 19, Winter 1995
Feature
Studio Dumbar uses its posters for the Zeebelt Theatre in the Hague for anarchic type experiments
Issue 26, Autumn 1997
Feature
Designers can bring clarity and consistency to Web interfaces and find new ways to organise navigation
Issue 28, Summer 1998
Feature
Working in the crash-prone pre-history of multimedia, Post Tool has a brand of graphic design that is closer to televsion
Issue 27, Spring 1998
Feature
British supermarkets display packets and tins whose graphic design codes have a longer shelf life than the food inside
Issue 26, Autumn 1997
Feature
Mieke Gerritzen brings her visual language of graphic emblems and clear-cut lines, colours and type to the Web
Issue 25, Summer 1997
Feature
With computers as the means for limitless manipulations of signs, designers now exalt subjectivity and impermanence
Issue 29, Autumn 1998
Feature
A reflection of Eye in the winning and commended entries for the 1998 D&AD Student Awards Publishing Design category
Issue 31, Spring 1999
Feature
A graduate student competition resulted in hybrids of browser and search engine that redraw and re-invent the fundamentals of “surfing the Web”
Issue 32, Summer 1999
Feature
‘I don’t want to know the canon, because it is completely irrelevant and transient. If you fight the canon you become a product of its system’
Issue 33, Autumn 1999
Feature
Thirty-three visual communicators renew the 1964 call for a change of priorities
Issue 32, Summer 1999
Opinion
Is there any use in overturning the existing hierarchies between verbal and visual form?
Issue 29, Autumn 1998
Opinion
Reason, sense and high-tech at the FUSE98 conference
Issue 28, Summer 1998
Opinion
To communicate more than mere messages for a client, designers must adopt an editorial point of view
Issue 29, Autumn 1998
Opinion
Graphic design and advertising are two of the great driving forces in today's visual culture.
Issue 30, Winter 1998
Opinion
If designers want the audience to interact, then designing is transformed into making the problem-solving playable.
Issue 31, Spring 1999
Opinion
Critiques of Modernism often fail to acknowledge the movement’s marrying of poetry to structure
Issue 27, Spring 1998
Opinion
To acquire the status of serious conveyors of ideas, images still have to overcome a 'class…
Issue 26, Autumn 1997
Opinion
Does graphic design need redefinition? Maybe, but the profession's rich visual tradition should not be discarded…
Issue 25, Summer 1997
Opinion
Merging more and more with a 'metadisciplinary' visual culture, the role of graphic design is changing…