Review

 

On the barricades

Fíacha O’Dubhda

The posters produced by the Atelier Populaire are weapons in the service of the struggle…
 

Love letters

John L. Walters

Scripts, with a jazz-like mix of virtuosity and improvisation, can represent many things, from intimacy…
 

A Modernist’s voyage of discovery

Jessica Jenkins

The Design Museum’s Wim Crouwel retrospective offers a voyage of discovery into form-making – the…
 

Taking a scalpel to the dictators

Steven Heller

John Heartfield is credited with having invented ‘political photomontage’ but an equally prolific fotomonteur was…
 

Brodovitch’s encore

Simon Esterson

In 1945, the small New York publisher J. J. Augustin published, in an edition of…
 

Divided along historical lines

Alexander Ecob

There is a strong similarity between geography and chronology. Both are concerned with order, with…
 

Glamorous layers of interpretation

Sian Cook

Recent shows of performance / political art pioneers such as Group Material, David Wojnarowicz, Laurie…
 

Britannia waves the flag

Alex Cameron

A Symbol for the Festival tells an illuminating personal and graphic design history in the…
 

Making history? Or writing about it?

Jim Aulich

Graphic design is such a pervasive part of everyday life it could easily be characterised…
 

Font of all type knowledge

Ben Archer

With fine traditions in type and graphic design, but small sales volumes, Dutch books about…
 
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