Eye Magazine | Author | Interview by John L. Walters

Interview by John L. Walters

Recent articles by Interview by John L. Walters

Mark Holt: Games, set and dispatchIssue 101, Summer 2021
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	The title page credit for Munich ’72: The Visual Output of Otl Aicher’s Dept XI reads ‘Researched, written, edited, designed and published by Mark Holt.’ Interview by John L. Walters            
Conversation with John Burn-MurdochIssue 101, Summer 2021
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	As Covid-19 spread across the globe, it became clear that data visualisation would become ‘the language of the pandemic’.            
Richard Turley: Mag-man ad-manIssue 100, Summer 2020
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	‘There is rarely any doubt in advertising or branding. The default setting is “amazing”. Whereas in editorial, the core tenet is doubt.’ [EXTRACT]            
Sophie Thomas: CampaignerIssue 100, Summer 2020
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	‘You need a creative or design-oriented brain to figure out what the system is and how to shift it. Designers are good at this.’ [EXTRACT]            
Liza Enebeis: Curious creative directorIssue 100, Summer 2020
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	‘Since the outbreak of Covid-19, the world feels more united. This may be a trigger in the future for how we can be more unified and achieve results as a world collective.’             
Jessica Walsh: The influencerIssue 100, Summer 2020
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	‘We can’t be like artists, who can stick to one style and never adapt what they do based on what’s going on in the world. This doesn’t bother me, it excites me.’ [EXTRACT]            
Moross: The hands-on bossIssue 100, Summer 2020
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	‘We work in the entertainment world where there are always a lot of time pressures. It’s a priority to manage stress and make sure people are fulfilled.’            
Michael Bierut: The designer’s designerIssue 100, Summer 2020
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	‘Online, everything arrives with equal weight … everything can have a logo, everything can have an identity, everyone can do it in an untutored way.’            
Bobby C. Martin Jr: Design ChampionIssue 100, Summer 2020
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	‘We’ve come so far we’re not stopping now. Design has infused every part of our lives because of designers pushing to have a seat at the table.’             
Fraser Muggeridge: The improviserIssue 100, Summer 2020
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	‘The role of printed matter has shifted from what it communicates literally to what it communicates subconsciously.’            