Feature: Graphic design
South Bank show
The Royal Festival hall has regained the thoroughly English lettering of its origins in the Festival of Britain – on one side only
Reputations: Bob Gill
‘I’ve never had a problem with a dumb client. There’s no such thing as a bad client. Part of our job is to do good work and get the client to accept it.’ Interview by Patrick Baglee
Willem Sandberg: Warm printing
The Dutch pioneer’s catalogues for the Stedelijk show a tactile use of sensual materials and experimental typography
Reputations: George Lois
‘You can’t research a big idea. The only ideas that truly research well are mediocre ideas. In research, great ideas are always suspect.’
Reputations: Richard Hollis
‘The ideal situation is where you sit with the client and design with them. If anything is emphasised, it’s what they want to emphasise. I prefer collaborative effort to doing what I want. It’s diametrically opposite to being an artist.’
Money. Magic. Light.
Factors of scale ensured a glittering take-off for two corporate identities. But what do they actually communicate?
The producer as author
For Bruce Mau, graphic design is a way of investigating ethical, cultural and philisophical issues
We hardly knew you
Street-corner merchandising tries to remember the twin towers
Penguin crime
Romek Marber’s 1960s paperback identity is a landmark of independent British design
Reputations: Jean Widmer
‘Signage reflects both the complexity of space and the way a place is organised. And it is very satisfying’