various designers

Recent articles about various designers

A Roman legacy

Issue 90, 2015

Review

The Eternal Letter is the first in a series of books dedicated to letterforms…

Mondo magazines

Issue 4, Summer 1991

Feature

Some of the sharpest and most influential graphic design ideas come from the new magazines. Eye…

Space for stories

Issue 87, Spring 2014

Opinion

Visual Editions’ box of literary maps challenges authors to think differently about the structures…

The accessible elite

Issue 86, Autumn 2013

Feature

Linda Kwon reports on a design conference that aims to fight the ‘velvet rope syndrome’

Glorious transit

Issue 85, Spring 2013

Review

Let’s face it, graphic design is short of real drama. There are no good…

Source code for a design revolution

Issue 85, Spring 2013

Review

Processing, an open-source programming language and environment for creating…

First things last

Issue 14, Autumn 1994

Opinion

Letter from Ken Garland in Eye 14

A Monotype timeline

Issue 84, Autumn 2012

Feature

A selected, chronological list of notable events in the long, complex history of Monotype

Russian revolution

Issue 84, Autumn 2012

Feature

Polly Corrigan meets the founder of a new graphic design school in Moscow.

Pictures on a page

Issue 84, Autumn 2012

Review

This Eye special issue about Monotype focuses on the technology of putting…

Turn of the Screw

Issue 84, Autumn 2012

Review

‘Sex sells!’ was a 1960s motto. Though not as popular as ‘Peace now’, ‘Make…

Every word in its place

Issue 84, Autumn 2012

Review

Reading Richard Hollis’s writings, one can’t help wondering how the esteemed…

Deep in the Monotype archive

Issue 84, Autumn 2012

Feature

A wide selection of Monotype’s drawings, artworks, publications and vintage photographs spread…

On being well read

Issue 84, Autumn 2012

Review

In this shifting digital world, countless websites, blogs and social networks…

Pages from the library of libraries

Issue 84, Autumn 2012

Review

Graphic design, devoted as it is to re-framing text and image, thrives as an…

Relentless information

Issue 83, 2012

Review

Riding the persistent wave of popular interest in data visualisation…

Classical crossroads

Issue 76, Summer 2010

Feature

Design meets serious music: long programme notes, small budgets and ‘de-averaging’

Design + music = magic

Issue 76, Summer 2010

Feature

The scene creates the style, and sleeves tell us what their contents sound like, but what next?

Charts change minds

Issue 82, Winter 2012

Feature

Description of the slave ship Brookes 1788

Physical display

Issue 67, Spring 2008

Feature

How lettering is made for public display: hand-cutting in wood and stone, & routing in metal and…

Lost in flatlands

Issue 80, Summer 2011

Feature

Will the next generation of page layout programs give us back our sense of space?

Culture compass

Issue 78, Winter 2010

Feature

Andrew Losowsky on the ‘nonsensical authority’ of the Approval Matrix

Modernism and me: a survivor’s tale

Issue 59, Spring 2006

Review

On reading the first few pages of Natalia Ilyin’s Chasing the Perfect: Thoughts…

Interview with Dan Fern

Issue 76, Summer 2010

Feature


Professor Dan Fern explains his pioneering ‘MAP / making’ course at the Royal College of Art…

Surface to space

Issue 67, Spring 2008

Feature

Maths, computers and the internet are bringing new life, form and purpose to a traditional paper art…

The decriminalisation of ornament

Issue 58, Winter 2005

Feature

Spurned and marginalised for more than a century, decoration is enjoying a guilt-free renaissance

Nameless thing

Issue 57, Autumn 2005

Feature

Tokyo’s TDC rewards work that transcends means, intention, content, context – and just ‘is’…

Back with a flourish

Issue 62, Winter 2006

Feature

The twentieth century was not a good time for swashes, often described as the…

Pin point

Issue 78, Winter 2010

Feature

Jack Schulze praises the ‘US space programme’ of mapping

The steamroller of branding

Issue 53, Autumn 2004

Feature

Art and culture are open to interpretation. Why must we give them fixed identities?

Temple of type

Issue 2, Winter 1990

Feature

St Bride Library is one of the world’s best sources of information about type design and…

Reduction

Issue 38, Winter 2000

Feature

Is graphic design, with its allusions and clutter, fundamentally antithetical to minimalism?

Sticks in the mind

Issue 69, Autumn 2008

Feature

Does anyone care about posters, or are they just an ego-trip for the designers who still make…

The Press Release

Issue 38, Winter 2000

Feature

The press release is one of the principal methods through which design companies, art directors…

The chair man dances

Issue 28, Summer 1998

Feature

This little red book is a capitalist keepsake – a testament to the corporate culture of a chair…

The far side

Issue 81, Autumn 2011

Feature

Clients can seem stubborn, ignorant, wilful and slow, yet some build a relationship of strong mutual…

The designer as author

Issue 20, Spring 1996

Feature

Graphic authorship is taken for granted by many design theorists and it is gaining ground within…

Scribble and strum

Issue 76, Summer 2010

Feature

The layout and art direction of music magazines reflect and champion a wide spectrum of tastes and…

Conference madness

Issue 49, Autumn 2003

Feature

It’s a messy hybrid of live chat show, summer camp, theatre and rock’n’roll

First Things First Manifesto 2000

Issue 33, Autumn 1999

Feature

Thirty-three visual communicators renew the 1964 call for a change of priorities

Punk uncovered: an unofficial history of provincial opposition

Issue 33, Autumn 1999

Feature

British punk gave a sound, a voice and a visual currency to the disenfranchised and remote.…

Naked words

Issue 82, Winter 2012

Feature

Type-only book covers have always had a place in publication design.

Just Add Stock

Issue 73, Autumn 2009

Feature

The first Eye awards for the creative use of library images.

Phil Baines and Typography Now

Issue 71, Spring 2009

Opinion

A letter from Rick Poynor

Messy medium

Issue 64, Summer 2007

Opinion

Social media is shifting message-making away from mass media and into the hands of multiple users.

Beer: the real thing

Opinion

Beer labels promise authenticity and reliability. But what about taste? Critique by Rick Poynor

Editorial Eye 34

Issue 34, Winter 1999

Opinion

Though we have designated this edition a ‘Public realm special issue’, it could…

Recent blog posts by various designers

Fileteado Porteño – past and present

7 July 2016

A vernacular folk art has become synonymous with the visual identity of Buenos Aires. Gustavo Ferrari explains this extraordinary craft
Fileteado porteño is a traditional Argentinean artform, which began as simple decoration on the trade carts of bread, milk and vegetable sellers in the early twentieth century, writes Gustavo Ferrari.

What design didn’t do

30 June 2016

As a designer I feel guilty, says Marina Willer. Could we have done more to stop Brexit?
Twenty years ago, I chose to move from Brazil to London because it is the most diverse and cosmopolitan city in the world, writes Marina Willer.

Typeset in concrete

21 June 2016

Visual poetry crashes into the 21st century in all its brutal beauty. Jeremy Noel-Tod reviews The New Concrete (Hayward Publishing)
The original postwar ‘concrete poetry’ movement, with its aspiration to a utopian ‘supranational’ poetry of untranslatable symbolism, was characterised by an emphasis on type in white space: the flat material surface of ‘rigid, non-sensuous’ printed language, writes Jeremy Noel-Tod.

Noted #75

13 May 2016

I Like Birds in Trittau; Mucho’s Tenderloin; Cercle on Costumes and P98a Paper’s Zombies of Berlin
Here is a small selection of graphic design for galleries and museums and magazines that caught our attention in recent weeks.

Offset 2016: day three

29 April 2016

Studio Dumbar, Niall McInnery, Andy Ristaino, Úna Burke, McBess, Stephen Averill and Shaughn McGrath … and Seb Lester. Pam Bowman and Matt Edgar conclude their coverage of the Dublin Offset conference
By the Sunday morning at Offset 2016, more coffee is required, with several extra shots, but there is still a lot to look forward to, write Pam Bowman and Matt Edgar.

Remediation in Warsaw

4 April 2016

Posters aren’t dead, they’re just off the wall. David Crowley explains the thinking behind the forthcoming Warsaw International Poster Biennale
The Warsaw International Poster Biennale is 50 years old in June, writes David Crowley.

Relocation to Albertopolis

19 March 2016

Save the date! On 24 November 2016 the new Design Museum opens at the former Commonwealth Institute building in Kensington
Design Museum director Deyan Sudjic yesterday announced the date – Thursday 24 November 2016 – for the somewhat delayed opening of the museum’s new home in Kensington.

The calm collector

24 February 2016

A new collection of Steve Hare’s writing demonstrates an erudite passion for the design and content of Penguin Books
The late Steve Hare (1950-2015) was one of those writers that every editor appreciates, writes John L. Walters.

Classic Collections – Back to the 90s

11 February 2016

Surf back down the information superhighway to a time when the World Wide Web was thrillingly new – with Eye nos. 14, 16, 23 & 25
   Most early editions of Eye magazine are out of print. However a handful from the mid-to-late 1990s are still available from the Eye shop at ESco in Essex, and this bundle is an especially good bargain for magazine addicts.

Picture an orphan

7 February 2016

What do Luke Skywalker and Oliver Twist have in common? Clare Walters reviews Drawing on Childhood at the Foundling Museum
Given the perennial struggle against war, famine, disease and poverty, it is not surprising that many myths and fairy tales feature orphans, foundlings and fostered or abandoned children – think of Romulus and Remus, Cinderella, Rapunzel, and Hansel and Gretel, writes Clare Walters.

Gutter press

21 January 2016

Nigel Ball on packaging graphics, ‘gutter share’ – and whether design blogs should be more sceptical about big brand news stories
As a design educator I need to keep on top of the latest developments, writes Nigel Ball, and a large aspect of this involves reading design blogs.

Warning cries

14 January 2016

Paul Rennie casts new light on RoSPA’s safety posters. Review of Safety First by Clare Walters
The Royal Society for the Prevention of Accidents (RoSPA) employed many of the best designers of the twentieth century to make its safety posters.

More design for eating

7 January 2016

Menu Design in America looks back at more than a century of visual and culinary history
There is something very satisfying about a menu. Whether it be the cutout of a pig just before delving into a pulled pork sandwich or a space age diner preparing you for some interstellar fry-up.

Classic Collections – On and Off the Wall

31 December 2015

A bundle of poster-themed back issues – 38, 46, 51 & 69  
Eye magazine has often covered the changing nature of poster design and its place in the graphic design world.

Illustration as anthropology

4 December 2015

In Assembly Point, a new gallery space in Peckham, eleven illustrators take a critical approach to their practice
This exhibition of contemporary illustrators is a serious affair, writes Colin Davies.

West End mags and East End zines

18 November 2015

The BSME’s upcoming event ‘Indie Mag Madness’ is a chance to hear from some of the best people making and distributing indie magazines today
Next Monday the BSME (The British Society of Magazine Editors) will hold its first ever event on the subject of indie magazines. Speakers include David Lane (The Gourmand), Cathy Olmedillas (Anorak), Rob Orchard (Delayed Gratification), David Jenkins (Little White Lies) and Steve Watson of Stack, the indie mag subscription company.

Noted #71

3 November 2015

TPTQ Arabic; Frank; FS Brabo by Fontsmith; Typomad 2015; New Perspectives in Typography; The Eric Gill Series
Typotheque’s Peter Biľak has announced the launch of TPTQ Arabic, a new type foundry dedicated to developing original high-quality Arabic typefaces and systems for bi-lingual typography.

Books received #16

26 October 2015

In Progress, Glyph*, Lago, Patternalia and Street Art Santiago
Here are a few books that have caught our attention in recent weeks.

Disappearing act

24 September 2015

The Graphic Workshop was a Boston artists’ collaborative, whose ‘Endangered Species’ poster series is celebrated in a current exhibition. By Paul Dobbs and Elizabeth Resnick
The Graphic Workshop was an artists’ collaborative in Boston that produced hundreds of remarkable silkscreen posters during a 22-year period, write Paul Dobbs and Elizabeth Resnick.

Books received #15

9 August 2015

Data Design; Mucho’s Sonia Delaunay catalogue; Alvin Langdon Coburn; and Irma Boom explores the cosmos with Olafur Eliasson
Here are a few more books that caught our attention in recent weeks.

Beyond selfish

13 May 2015

Could Selfiecity’s systems of visual analysis one day become a force for the common good?
‘Selfies’ are a cultural phenomenon, and it seems you cannot move for people taking them, writes Noel Douglas.

Noted #67

11 May 2015

Chineasy, The Happy Reader, Yellow, Brick and Puss Puss
Here are a few projects that have caught our attention in recent weeks.

Noted #66

24 March 2015

Gourmand Grotesque 777 & 888, 10x10, Type Team, PLINC and A Typographic Bestiary
Here are a few #TypeTuesday books, catalogues and specimens that caught our attention in recent weeks.

Offset 2015: day two

20 March 2015

Aisha Zeijpveld, Declan Shalvey, Steve Doogan, Tomi Ungerer, Veronica Ditting, Anders Eklind and Björn Engström, Chrissie Macdonald and Snask. Anna Kealey continues her coverage of the Dublin conference
Saturday’s illustration-heavy line-up at Offset welcomed artist, author and designer Tomi Ungerer, illustrator Chrissie Macdonald and creative agency Snask, among many others, to the stage, writes Anna Kealey.

Kemistry’s greatest hits

13 March 2015

Kemistry Gallery’s brief pop-up exhibition at Protein Studios gives visitors a chance to sample its quirky approach to design and graphic art
Kemistry Gallery occupied a small space in Shoreditch for ten years, and in that time, they showed a series of stimulating exhibitions.

Mounted, not sprayed

5 February 2015

International street artists ‘map their spaces’ on the walls of London’s Somerset House
‘Mapping the City’, featuring 50 artists, occupies the New Wing of Somerset House, a space in transition that features bare concrete floors, fireplaces in disrepair and unfinished stonework doorways, writes Sarah Snaith.

Mirror on the wall

21 January 2015

The global financial crisis sparked the creation of O Espelho (The Mirror) – a wall newspaper for the streets of Lisbon. By Rose Epple
The first appearance of the Portuguese wall newspaper O Espelho – on 12 November 2012 – was timed to coincide with Angela Merkel’s visit to Lisbon, writes Rose Epple.

Stepping into stories

16 January 2015

The Story Museum in Oxford celebrates the power of fiction with an exhibition that combines spoken word with photography and installation design
The Story Museum, which opened in 2014, occupies an unrefurbished building in the heart of Oxford and ‘26 Characters’ is its inaugural exhibition, writes Clare Walters.

Noted #65

31 December 2014

Noble Rot and OOMK magazines, the Redstone Press diary and two calendars in glorious colour
Here are a few things that caught our attention as 2014 crossfades into 2015.

Books received #11

7 November 2014

Paul Graham, Rian Hughes, Modern Toss, The Art of Noir and Nude’s take on underground graphics
Here are a few books that have caught our attention in recent weeks.

Type Tuesday: No end of print?

1 September 2014

Eye’s panel of printers, designers, photographers and publishers will talk about the past, present and future of printing this Tuesday evening at St Bride
The Type Tuesday event at St Bride Library in London (2 September 2014) is entitled ‘No end of print?’ and will include speakers from Calverts, New North Press, Kin, Pureprint and Hoxton Mini-Press, among many others.

Shouting from the library

31 July 2014

A review of 21 Revolutions by Elizabeth F. Beidler
21 Revolutions tells the story of Glasgow Women’s Library (GWL) through the eyes of 42 women – 21 artists and 21 writers – who have created work that responds to the Library’s unique collection of donated materials, writes Elizabeth F. Beidler.

Learning from L’Automàtica

24 July 2014

East London students attend a letterpress workshop with the Barcelona printing collective
The University of East London discarded its letterpress equipment years ago, like many UK-based higher education institutions, in favour of digital technology, writes Stephen Barrett.

C for century

1 May 2014

The exhibition ‘Century: 100 Years of Type in Design’ opens in New York
The ‘Century: 100 Years of Type in Design’ exhibition opens today at the AIGA National Design Center in New York.

Noted #59

14 April 2014

Le Petit Néant, The Pitchfork Review, Please Come to the Show, Mould Map and Typolitic, a new site for undergraduate work
Here is a selection of things – magazines, exhibitions, books and posters – that caught our attention in recent weeks.

Typographic freak-out

25 March 2014

Content Aware typography makes Adobe’s software ‘fail’ in the most interesting way
Content Aware Fill first appeared in Adobe Photoshop CS5, released in 2010, writes Tom Harrad.

Books received #7

17 March 2014

Pop Art Design, The Magazine 19, Punk 45, D&AD 2013 and REsolutions
Here are brief reviews of some titles that recently arrived at Eye’s Shoreditch office.

With a gun

20 January 2014

The Cuban OSPAAAL posters in Kemistry’s show pack a macho sense of déjà vu, says Colin Davies.
Walk into Kemistry’s OSPAAAL exhibition in Shoreditch and you might be hit by the Cuban posters’ familiarity – there’s a sense of déjà vu, writes Colin Davies.

Books Received #5

2 December 2013

Alphabet postcards, type geeks as ‘birders’, post-digital letterpress, understanding type basics and calligraphy
Here is a brief look at some type-oriented titles that recently arrived at Eye’s Shoreditch office.

Design city in a hurry

18 November 2013

Singapore’s graphic design story matches the city-state’s dramatic narrative, but this breathless overview leaves little time for reflection
In the introduction to Independence: The History of Graphic Design in Singpore since the 1990s, author Justin Zhuang quotes Deyan Sudjic, ‘design is the language that a society uses to create objects that reflect its purposes and values’, writes Steve Rigley.

Books received #4

1 November 2013

Biografiktion, Graffiti School, Travellers’ children, Tretchikoff, Soho divas and Xerography
Biografiktion (Nobrow Press, £18.99, $29.00) is a book of fictional stories about celebrities, set in comic book format.

Beasts and alphabets

16 October 2013

The work of Enid Marx links two new exhibitions about animals at Compton Verney in Warwickshire
For designers and illustrators with an interest in print-making there is much to see in two inter-related exhibitions at the beautiful (if rather remote) Compton Verney gallery in Warwickshire, writes Clare Walters.

Collaboratively speaking

14 October 2013

A report from day two of the AGI Open conference at London’s Barbican.
Day two of AGI Open kicked off with insights and wisdom about ‘collaborative practice’, write Pam Bowman and Matt Edgar.

A graphic tree-hug

10 October 2013

Pulp!, a 1989 newspaper devoted to trees, drew attention to green issues through art, illustration, writing and photography
Pulp! was a one-off, large-format newspaper published in 1989 to raise awareness of pressing green issues.

Eye 86 in transit

30 September 2013

Fresh off the rollers and over to the mailing house
The new issue, Eye 86, has been printed and is ready to be sent out to subscribers and bookstores around the world.

Books received #3

5 September 2013

For the Love of Letterpress, Brighton Swimming Club, the history of CGI, Blackletter and Thomas Heatherwick
Here is a brief look at some titles that arrived at Eye’s Shoreditch office in recent weeks.

Of mice and moquette

27 August 2013

Image-makers go Underground to seek inspiration for the outer surfaces of Oyster card holders
Outline Editions, in collaboration with Designjunction, have commissioned ten designers and illustrators – including Noma Bar, Kate Moross and James Joyce – to decorate some limited-edition Oyster card* holders in celebration of the 150th anniversary year of London Underground (whose first journey was in January 1863).

Dance, light and architecture

14 August 2013

New Movement Collective inhabits a disused space with dance, architecture, light and sound
The prospect of combining contemporary dance with architecture, light installation and sound is an enticing one – it recognises the natural relationship between body, sound, image and space, writes Sarah Snaith.

A mag for Bob

6 August 2013

88 magazine lovers have made this one-off newsprint publication for a good cause – raising money to support mag maven Bob Newman
Last March (2013), art director Bob Newman suffered an appalling accident in a swimming pool.

Noted #54

5 August 2013

Works That Work #2, Printed Pages #2, Desktop publishing, Presstival and some words for the London Design Festival
Here are a few publications and announcements that have grabbed our attention over the past week or so.

Ink on paper

1 August 2013

Francis Atterbury’s Hurtwood Press takes a high-tech approach to publishing short-run books for photographers, designers and artists
Francis Atterbury’s Hurtwood Press is a new kind of publisher with a old name, writes Andrew Robertson.

Books received #2

31 July 2013

After Butler’s Wharf from the RCA’s CWAD graduates, Vapourware, Tractor Boys, Map of Days and Abram Games’s Penguin covers

Riddle of the cube

23 July 2013

Established graphic designers struggle with the ‘white cube’ of a gallery space. How can emerging designers explain their work in the crowded environs of a graduate show?
Each year, graduating students of the Visual Communication course at the Royal College of Art are faced with the problem of their final graduate show, writes Jessica Morgan.

Best in show

17 July 2013

Design through a typographic lens – a report from the TDC Awards in New York by Doug Clouse
The Type Directors Club annual competition captures a portrait of design in our time through the lens of typography, writes Doug Clouse.

Books received

14 July 2013

The Roundel, quotes and quips, Various Small Books, interaction design and Unearthing
In the first of a new series of ‘Books received’ blog posts, here is a brief look at some titles that recently arrived at Eye’s Shoreditch office.

Two sides of propaganda

28 June 2013

A new exhibition recounts the history of political persuasion, from coins to tweets.
The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.

Sinhala’s voluptuous letters

26 June 2013

A collaboration – between Columbo, in Sri Lanka, and Falmouth, in the UK – explores the typographic possibilities of the Sinhalese abugida
The orthography of the Sinhalese, one of the peoples of the beautiful island of Sri Lanka‚ is one of three writing systems that populate the visible culture of the south Asian island nation, writes Timothy Donaldson.

Sharing the stage … sharing ideas

24 June 2013

Five D-Crit students team up with experts to make presentations at their graduate symposium
It’s that time of year again, when a host of graduating art and design students prepare to launch themselves upon the world. The degree shows have gone up and this year’s crew are buzzing with anticipation, writes Liz Farrelly. That’s fine if your work looks good on a wall or in a gallery. But what about the new breed of design critics on Masters courses on both sides of the Atlantic? Just how do writers make their mark?

Fag end

14 June 2013

We shouldn’t glamourise ‘de-branding’ as cool ‘anti-design’, says Alex Cameron. It’s simply against design.
In March this year, the Australian government’s ‘de-branded’ cigarette packaging design was one of fourteen nominated entries – in the Graphics category – in the Design Museum’s ‘Designs of the Year 2013’ awards / exhibition, writes Alex Cameron.

Noted #53

27 May 2013

A magazine for Bob Newman; ‘Image Duplicator’; Erwin Blumenfeld at Somerset House; and Rémi Noël’s ‘This is not a map’
When French art director / photographer Rémi Noël goes to the States, he uses road maps rather than relying on a GPS device. And he prefers silver film to digital photography.

Tear-off type walls in Berlin

20 May 2013

The Bauhaus Archive presents a tour of German-language typographic history with ‘On-Type: Texts on Typography’.
They say that an exhibition should never be a book on a wall, but ‘On-Type’ is exactly that. The entire exhibition is made up of many books and texts all over the walls at Berlin’s Bauhaus Archive, writes Jessica Jenkins.

Mapping Asmara

1 May 2013

Steven McCarthy examines the way maps represent Eritrea’s capital city, Asmara – from architectural gems to military legacy
Unable to find a map of Asmara prior to my trip to Eritrea, apart from the page-sized version in a Lonely Planet guidebook, I made several screen grabs of Google maps in progessive levels of detail and saved them as images on an iPad, writes Steven McCarthy in his second report from Eritrea.

Noted #52

22 April 2013

Juggalos, Marmite, Thatcher, Fatherless, Dogs in Cars and Designs of the Year
A few awards, books and images that caught our attention in recent weeks.

Apocalyptic words

10 April 2013

Do designers read and write? The Blunt conference aims to inject more writing into design education. Preview by Linda Kwon.
Graphic design is by and large a visual practice used as a tool in the service of others, writes Linda Kwon. The field of design has given little attention to nurturing an integrated practice of writing and criticism.

Music design eye candy

3 April 2013

Rich in reproductions and spanning a wide range of musical genres, Classic Rock Posters is eye candy for anyone interested in music poster design, writes Holly Harris.

AGI Open – the ‘graphic design World Cup’?

24 March 2013

The Alliance Graphique Internationale pulls out the stops for a two-day, student-oriented event at London’s Barbican this autumn
Last Wednesday saw a rare gathering of some of the UK’s most senior designers (David Gentleman, Sean Perkins, Margaret Calvert, Henrik Kubel), and design educators, crammed into a small room at the Design Museum to announce an event at London’s Barbican Centre on 26-27 September – AGI Open.

Noted #51

18 March 2013

Sign painters, film trailers, Nieves’ zines, Tom Gauld and Pencil to Pixel in New York
A few books, videos, zines and events that caught our eye …

Objects of desire

28 February 2013

Designers have been engaged in sex since neolithic times. Well, maybe those neolithics were not designers per se, but they were designing sexual representations, such as Venus (9500-8700BC), found in Lake Bracciano in Italy, writes Steven Heller.

Noted #50

27 February 2013

Bastard chairs and other Works that Work; geometric rugs at the Design Museum; Strike!, posters, a standards manual & the first live Type Tuesday at St Bride in London
Last week we spoke to graphic artist Clayton Junior about his fair trade rug, launching as part of the NODE collection at the Design Museum on 5 March 2013.

Deadline EDA

24 February 2013

Get your skates on! Only a few days left to enter the 2013 European Design Awards
The submission deadline for the 2013 European Design Awards in Belgrade is fast approaching – it’s Thursday 28 February 2013.  

Noted #49

11 February 2013

Scroll down; paper time capsule; Typography Summer School in two cities; design activism at the V&A; Sketchnotes; icons for data
A few objects, images and forthcoming events that caught our attention in recent weeks …

Work to make it simple

6 February 2013

A review of this year’s Design of Understanding conference by Mark Barratt
‘Stuff that Max Gadney and his friends think is interesting’ would have been a more awkward but accurate title for the one-day conference ‘The Design of Understanding’, writes Mark Barratt. The event was curated by Gadney, an information designer, at St Bride Library, London on Friday 25 January 2013.

What type taught me about music

28 January 2013

Rick Finlay recalls his time at Reading, a university education that was not about vocation, but ‘raw knowledge and research, and their applicability to whatever life throws at you’
As an undergraduate on the Typography course at Reading University around 1980 I found enough fellow tunesmiths to put together a five-piece band made up only of students on the course, writes Rick Finlay. We were proud of our rock-pop constructions, but also fastidious about the packaging of our demo cassette.

A dentist’s unerring eye

17 January 2013

Dr Hans Sachs was the poster aficionado who launched Das Plakat. By Graham Twemlow
Graham Twemlow writes: A large part of the Hans Sachs poster collection is about to be sold off at auction (see ‘Back on the market’). Born in Breslau, Germany in 1881, Dr Sachs began collecting posters at the end of the nineteenth century while he was training to become a chemist (he later turned to dentistry).

The power of chess

7 January 2013

Chess – the gymnasium of the mind – is a perennial source of inspiration for designers, film-makers and artists, says Jim Sutherland
It’s no wonder chess holds such a fascination for artists, film-makers and designers, writes Jim Sutherland. It has such a rich visual language to plunder.

Spiral-bound scratchpad

31 December 2012

The 25th Anniversary edition of the Redstone diary assembles visual and verbal ephemera on the subject of ‘language’, from doctors’ private slang to erotic hand gestures.
The annual spiral-bound desk diary from Julian Rothenstein’s Redstone Press usually delivers a quirky collection of literary and graphic ephemera based around a single theme, such as ‘Daring!’ (2003), ‘The Artist’s World’ (2011) and ‘The Senses (2012).

Printer wonderland

14 December 2012

‘A Printer’s Tale’, in London next Monday evening, looks at new ways in which the worlds of physical and digital can be plugged together
We’ve known for some time that, despite the unerring rise of digital technologies, print is far from dead, write John Ridpath and Cath Richardson.

Busy doing nothing

26 November 2012

Le Petit Néant, a new annual drawing magazine, is designed to heighten ambiguity and avoid categorisation.
Le Petit Néant is an earnest name for a drawing magazine. French for ‘The Small Nothingness’, the title reeks of existential inquiry, writes Elizabeth Glickfeld.

Noted #46

22 November 2012

Schwitters, typewriting, wood type, the future Detroit Printing Plant and the United Stats of America
This past Friday the last British-made typewriter, the CM-1000, left the Brother factory in Wrexham for London’s Science Museum collection. Eye received a tiny, tactile, hand-printed snake book from Barrie Tullett of The Caseroom Press, wrapped in a typewritten paper sleeve.

Noted #45

26 October 2012

Sneaker art, Coverthink on news design, Kerouac, Lubalin, letterpress and a letter from the Gentle Author.
This week in Noted: branding, editorial design, Kerouac’s scroll, letterpress, more Herb Lubalin and an illustrative alphabet from 1836.

The Bloomsbury set

24 October 2012

De Bondt, Boom, Burrill, Butterick, Garland, Kubel, Scher and many more make Typo London 2012 a highly ‘Social’ affair. No question about it.
Typo London commenced with graphic designer Sara De Bondt’s fittingly understated introduction, writes Sarah Snaith.

Play to win

12 October 2012

What do design students get for their £9000 a year? Cascade is looking for ways to link education to an uncertain future in the world of work
A new academic year is an opportunity for anyone who works in education to re-assess what they do and why they do it, writes Derek Yates. The past twenty years’ cosy myths about art and design education are being blown apart.

The magazine that wasn’t

10 October 2012

Aspen, the cultural journal that challenged the limits of its form, goes on display at Whitechapel Gallery in London
To read an edition of Aspen magazine is to flip through a booklet, unfurl a concertina, shuffle some postcards or to unfold a poster, writes Elizabeth Glickfeld. Copies of the cult 1960s artists’ magazine are now so prized that the tactile experience of reading any one edition is necessarily denied the viewer of the exhibition ‘Aspen Magazine: 1965–1971’ (in the Pat Matthews Gallery at the Whitechapel Gallery in London).

Not drowning but waving

4 October 2012

The National Poetry Day’s Piccadilly Circus display is a welcome drop of visual poetry in an ocean of brandspace
The big advertising displays of Piccadilly Circus have long been dominated by the big brands: Coca-Cola, McDonald’s, Samsung, etc.

The purpose of posters

3 October 2012

London Transport’s spare posters go under the hammer at Christie’s tomorrow.
‘Of course it's not about graphic design,’ said my friend, glancing at the high proportion of besuited viewers. ‘It’s about money!’

‘Shake hands with the devil’

26 September 2012

The final hours of Graphic Design: Now in Production (the New York leg) provided a snapshot of contemporary practice, from the Stone Twins to Metahaven.
For the final Saturday of Cooper-Hewitt’s ‘Graphic Design: Now in Production’ exhibition in New York, a student and professional crowd massed for ‘The Final Hours’, writes Liz Farrelly. The temporary location (while the Carnegie Mansion is closed for renovation) was Governors Island, a breezy six-minute ferry ride from Lower Manhattan.

Noted #44, LDF #10

13 September 2012

Graphic design and visual culture at the London Design Festival, 14-23 September 2012.
As the London Design Festival [LDF] enters its tenth year, the organisers are preparing to serve up a varied menu of talks, exhibitions and workshops, and our crack team of ‘Noted’ reporters have been getting out their loupes to find examples of graphic design among all the bags and chairs.

Slow hand

7 September 2012

Three elective design courses at New Zealand’s CoCA demonstrate how the pace of physical printing helps the graphic design process.
The manual qualities of printing slow down the creative process, writes Nick Kapica, and provide access to a visual language that can feed back into students core subject areas.

Pause to play

6 September 2012

Marcus Leis Allion hails Song Board – an interactive installation for King’s Cross commuters
This summer, as passengers rush through the new entrance to London’s King’s Cross Station to check the departure boards, they can pause to play with an interactive wall of coloured balls, writes Marcus Leis Allison.

Billboards reloaded

30 August 2012

Judging by this digital project, reports of the death of the poster have been greatly exaggerated.
For four weeks this summer, roadside advertising specialists Outdoor Plus gave a small group of participants from Central Saint Martins the chance to reach an audience of millions, writes Alex Cameron.

Reasons to change your name

28 August 2012

Brighton’s September conference for coders and designers is back with a bang (but less Flash)
Every September since 2006, I’ve going to Brighton for the conference I founded, writes John Davey. For the first six years it was called ‘Flash on the Beach’ (FOTB).

Give us back our design!

17 August 2012

East Germany’s biggest design archive is about to be put under wraps, inaccessible to scholars and the general public, writes Jessica Jenkins
In the period of political upheaval immediately after the fall of the Berlin Wall, an unknown amount of GDR design material was hastily sold off to dealers, writes Jessica Jenkins – something of a mixed blessing, since, while it was consequently conserved and evaluated, the material was lost to public view.

Is the museum as dead as print?

13 August 2012

‘Inside / outside’ – a symposium about the future of exhibition spaces at the new Tate Tanks – questioned the future of art institutions
The Tate Modern’s symposium ‘Inside / Outside: Materialising the Social’ marked the first weekend of ‘The Tanks: Art in Action’ exhibition, a series of immersive installations and performance art pieces on display until 28 October 2012, writes Sarah Snaith.

Noted #40

22 July 2012

Typecache, marginal Brazil, mags with letters, Malick Sidibé’s studio
Here are a few more links that caught our attention in recent days.

One day, all this will be ours

26 January 2012

Getting ready for the hyperbolic new Design Museum in Albertopolis.
The new Design Museum, slated to open in 2014, is cause for celebration in London’s design community, writes John L. Walters.

Historical digital

20 October 2011

Adrian Shaughnessey on the rise of laptop aesthetics … from 2003
What are the major stylistic trends in current graphic design? wrote Adrian Shaughnessey in Eye 49 (2003)

Design for drugs in NYC

7 October 2011

Exhibition will explore the graphic world of pharmaceutical products
A new exhibition at The Herb Lubalin Study Center at The Cooper Union will explore the graphic world of pharmaceutical design. Work by Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin features in the show, which charts design for drugs from the 1940s to the present day. Here, curator Alexander Tochilovsky shares his thoughts about what he sees as a ‘golden age’ in US pharmaceutical design, the 1940s and 50s.

Awesomely awesome FOTB

16 September 2011

Buzzwords and the inspiration of improv at the Brighton codefest
If you were to play buzz-word bingo at Brighton’s ‘Flash on the Beach’, the squares for ‘awesome’, ‘pumped’ and ‘stoked’ would fill up pretty quickly, writes John L. Walters. A wordcloud of all three days’ presentations would bloom with the same words, plus ‘HTML5’, ‘agile’, ‘responsive’, ‘Molehill’ and the inevitable ‘clients’, ‘schedules’ and ‘budgets’.

Get real. Go!

7 April 2011

Steven McCarthy wonders why US graphic designers don’t get out much
Where are the Americans? Why do international design conferences have such a low turn-out from United States scholars and educators?

Let’s work together

28 February 2011

The Mill Co. Project and the collaborative work ethic
Mill Co. bills itself as a ‘full service creative agency’ – yet the ‘Co.’ doesn’t stand for company, but for co-operation, writes John Ridpath.